173888 20260408162550.0 3e2fec61-3740-40d2-8c68-9b88896a2c3e DA The Rape of Europa 1562 [creation date] 1562 178 x 205 cm oil on canvas Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © Isabella Stewart Gardner Museum; Bridgeman Images 040184.tif Zeus [Greek deity] Europa [Greek mythology] Greco-Roman mythology Bulls Art 201 Art 301 Sakai, Jenny Katz, Dana Art Italian Renaissance 16th Century CE Oil paintings Paintings Titian [Venetian painter, ca. 1488-1576] Attributed to Vecellio, Tiziano [Venetian painter, ca. 1488-1576] Bridgeman Images. Retrieved online from https://www.bridgemanimages.com/en-US/titian-tiziano-vecellio-c-1488-1576/rape-of-europa-1562-oil-on-canvas/oil-on-canvas/asset/113866 [December 18, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 17. Additional Reference Isabella Stewart Gardner Museum, Boston, Massachusetts, United States, ID: P26eI [repository] https://rdc.reed.edu/record/173888/files/A_113866.tif access 3bcf62b1-81f7-4586-a26d-1ea8e0cb0a44 65794340 https://rdc.reed.edu/record/173888/files/P_99617.tif preservation c0507d19-406f-4ce4-8a93-8d0dbf6143f6 51976080 https://rdc.reed.edu/record/173888/files/A_113866.hocr 34a78eac-fb4e-491a-ad34-b4ca00558ab9 290 https://rdc.reed.edu/record/173888/files/A_113866.txt 2ee21cb2-b810-4bb8-a41f-d49911c3b747 3 222251 cvandorff Art & Architecture 225201 20260406230633.0 220acaf7-ad56-4a0f-ac8a-88664273caad DA The Ideal City ca. 1470-1518 [creation date] 1470 1518 27 x 94.2 in Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Public Domain Mirzoeff_09.tif Architecture [discipline] Cities Urban planning Art 201 Art 320 Art 301 Katz, Dana Sakai, Jenny Art Italian 15th Century CE Oil paintings Paintings Carnevale, Fra [Italian painter and architect, active mid-15th century, died 1484] Wikimedia Commons. Retrieved online from https://commons.wikimedia.org/wiki/File:Ideal_City_-_Urbino.jpg [December 5, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 34. Additional Reference Galleria Nazionale delle Marche, Urbino, Italy [repository] https://rdc.reed.edu/record/225201/files/A_Mirzoeff_09.tif access 51f0942b-360e-4685-bf16-e34f6bf62428 27462964 679801 cvandorff Art & Architecture 225208 20260413160331.0 f0051bb6-e1e5-4ad5-b465-74035b72567f DA L'Isle de la Martinique The Isle of Martinique 1667 [creation date] 1667 Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Public Domain Mirzoeff_17.tif Slavery Plantations Atlantic slave trade Art 201 Art 320 Art 301 Katz, Dana Sakai, Jenny Art French French Colonial 17th Century CE Maps Maps, Cityscapes and Plans Dutertre, Jean-Baptiste [French artist, active ca. 1756-1767] Barry Lawrence Ruderman. Retrieved online from https://www.raremaps.com/gallery/detail/93246 [November 29, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 55. Additional Reference https://rdc.reed.edu/record/225208/files/A_Mirzoeff_17.tif access 84baac61-e66c-4ceb-aa03-fc0a6eff9426 135158540 https://rdc.reed.edu/record/225208/files/A_Mirzoeff_17.hocr cffbe55a-49ad-4105-b1c4-072f153b5bb7 33313 https://rdc.reed.edu/record/225208/files/A_Mirzoeff_17.txt 56fcbf56-fe7b-482c-84a7-88388081939d 1131 679809 cvandorff Art & Architecture 225202 20260413160331.0 838cce00-669f-4068-a55a-98ea277a13bf DA Allegory of America ca. 1587-1589 [creation date] 1587 1589 19 x 26.9 cm Pen, brown ink, brown wash, heightened with white, over black chalk Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Mirzoeff_11.tif Slave ships Slavery Colonialism Art 201 Art 320 Art 301 Sakai, Jenny Katz, Dana Art Flemish 16th Cetury CE Pen and ink drawings Drawings Stradanus [Flemish painter and draftsman, 1523-1605, active in Italy] Attributed to Straet, Jan van der [Flemish painter, died 1535] The Metropolitan Musueum of Art. Retrieved online from https://www.metmuseum.org/art/collection/search/343845 [November 29, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 40. Additional Reference The Metropolitan Museum, New York, New York, United States, ID: 1974.205 [repository] https://rdc.reed.edu/record/225202/files/A_Mirzoeff_11.tif access a72e8c57-ef08-418d-8e85-2a6486e86afe 31619260 https://rdc.reed.edu/record/225202/files/A_Mirzoeff_11.hocr 37a4ab54-ab0c-4cc7-9d43-0a410be22a1e 2047 https://rdc.reed.edu/record/225202/files/A_Mirzoeff_11.txt cbe24e8d-06e6-4e3b-b41a-e93a7f23e2b5 64 679803 cvandorff Art & Architecture 225195 20260406230633.0 8aff40e4-f6f8-4694-989f-37deac204e6f DA STRIKE, K. FONT, V.1 2005 [creation date] 2005 132 x 621 x 40 cm white fluorescent tubes, red gelatine filters, transformers, spaces, detectors, and circuit-breaker The installation, equipped with detectors, turns off as soon as a visitor approaches it. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © Claire Fontaine Mirzoeff_01.tif Signs Light art Symbols Protests Art 201 Art 301 Sakai, Jenny Katz, Dana Art Italian British Conceptual 21st Century CE Multimedia works Installations Attributed to Carnevale, Fulvia [Italian conceptual artist, born 1975]; Attributed to Thornhill, James [British conceptual artist, active 2005] Fontaine, Claire [French conceptual artist, founded 2004] Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 2. Sourced From Claire Fontaine. Retrieved online from https://www.clairefontaine.ws/item/4407/4407 [June 4, 2024]. Additional Reference The Sculpture Centre, New York, New York, United States [repository] https://rdc.reed.edu/record/225195/files/A_strike_sculpture_center_ny.tif access 588c0515-ff64-42dc-b78e-1e06a396bbfc 17605892 https://rdc.reed.edu/record/225195/files/P_Mirzoeff_01.tif preservation ed724024-5100-4a6c-ae5b-a5093d4b4aa1 54017424 679795 Installation view cvandorff Art & Architecture 225197 20260413160331.0 80e7dcf9-204a-43eb-a450-2ae117335258 DA Mile marker post Standing Rock signpost 2016 [creation date] 2016 350 x 152 x 61 cm Wood, metal nails, paint, ink, graphite, cotton cloth, felt-tipped marker, metal wire, twine, plastic hardware/component, shells, metal jewelry findings, burlap, and paper Covered in dozens of handmade pointer arrows bearing the names of participant’s homes and the distances they covered to the protest camps, the signpost illustrates well the breadth of support—both national and international—for the Sioux Indians denied a voice in the planning of the pipeline, which verges close enough to their tribal land to risk contaminating their drinking water and disrupting their way of life. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Public Domain Mirzoeff_04.tif Water pollution Water supply systems Protests Colonialism Art 201 Art 301 Sakai, Jenny Katz, Dana Art Onondagan American Native 21st Century CE Mixed Media Installations Edwards, Hickory [Onondagan activist and educator, active 2008] Wikimedia. Retrieved online from https://commons.wikimedia.org/wiki/File:Standing_Rock_signpost,_National_Museum_of_the_American_Indian,_April_2019.jpg [December 5, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 20. Additional Reference Oceti Sakowin [Great Sioux Nation] protest camp, Standing Rock Sioux Reservation, North Dakota, United States [installation site] National Museum of the American Indian, Washington D.C., United States, ID: 27/31 [repository] https://rdc.reed.edu/record/225197/files/A_Mirzoeff_04.tif access 44b37ac0-88c2-470d-9843-107fbae7bc95 270848 https://rdc.reed.edu/record/225197/files/A_Mirzoeff_04.hocr e60c882f-8570-460f-92bf-803acceb32fc 10996 https://rdc.reed.edu/record/225197/files/A_Mirzoeff_04.txt a91ac435-c79e-4e31-938d-0f1422193d77 364 679797 cvandorff Art & Architecture 225209 20260413160331.0 d293230d-a940-4d26-acc6-0faf5f2285ab DA Map of Barbados in A True and exact History of the Island of Barbados 1657 [creation date] 1657 Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Public Domain Mirzoeff_18.tif Slavery Plantations Atlantic slave trade Art 201 Art 320 Art 301 Sakai, Jenny Katz, Dana Art English French Colonial 17th Century CE Maps Maps, Cityscapes and Plans Ligon, Richard [English author and illustrator, 1585-1662] Internet Archive. Retrieved online from https://archive.org/details/nby_516024 [November 29, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 56. Additional Reference https://rdc.reed.edu/record/225209/files/A_Mirzoeff_18.tif access f53d1215-b8a8-4412-9c68-64949c009235 2399639 https://rdc.reed.edu/record/225209/files/A_Mirzoeff_18.hocr 947a2c31-89d5-4f61-b4d6-30389b18bea7 55107 https://rdc.reed.edu/record/225209/files/A_Mirzoeff_18.txt 5912b4d7-f88d-4eb7-8d4d-dd652b9f9d31 1635 679810 cvandorff Art & Architecture 225203 20260413160331.0 14510729-dd69-4166-8235-38c53f208e74 DA Monumento dei quattro mori a Ferdinando I Monument of the Four Moors 1626 [creation date] 1626 bronze Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Public Domain Mirzoeff_12.tif Prisoners Piazzas [squares] Monuments Art 201 Art 320 Art 301 Sakai, Jenny Katz, Dana Art Italian Baroque 17th Century CE Sculpture Sculptures Tacca, Pietro [Italian sculptor and architect, 1577-1640] Alamy. Retrieved online from https://www.alamy.com/stock-photo-monumento-dei-quattro-mori-monument-of-the-four-moors-livorno-33903452.html [Decmeber 5, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 42. Additional Reference Livorno, Italy [site] https://rdc.reed.edu/record/225203/files/A_Mirzoeff_12.tif access 9125a322-a822-4555-9fde-e157f0ff50ef 40372564 https://rdc.reed.edu/record/225203/files/A_Mirzoeff_12.hocr 2900fe22-b81f-4bf5-8970-62abd4de5655 408 https://rdc.reed.edu/record/225203/files/A_Mirzoeff_12.txt 98f03afa-7a05-429d-a337-38685648dd9f 7 679804 cvandorff Art & Architecture 225204 20260413160331.0 219cee94-bb78-4771-a104-dff37fdcbbe6 DA Monumento dei quattro mori a Ferdinando I Monument of the Four Moors 1626 [creation date] 1626 bronze Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Public Domain Mirzoeff_13.tif Prisoners Piazzas [squares] Monuments Art 201 Art 320 Art 301 Sakai, Jenny Katz, Dana Art Italian Baroque 17th Century CE Sculpture Sculptures Tacca, Pietro [Italian sculptor and architect, 1577-1640] Alamy. Retrieved online from https://www.alamy.com/stock-photo-monumento-dei-quattro-mori-monument-of-the-four-moors-livorno-33903452.html [Decmeber 5, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 44. Additional Reference Livorno, Italy [site] https://rdc.reed.edu/record/225204/files/A_Mirzoeff_13.tif access 7f507ac2-fd80-4d04-948a-766aa6e91b64 23636284 https://rdc.reed.edu/record/225204/files/A_Mirzoeff_13.hocr 538cf6e5-6ffa-4b8e-bab6-164f05a0a065 288 https://rdc.reed.edu/record/225204/files/A_Mirzoeff_13.txt 83b42379-b2d8-4aba-bb81-a8f1fedc46c2 1 679805 detail view cvandorff Art & Architecture 162802 20260408065233.0 d1f5cd28-d9b8-40e0-b76b-76f2b0bf6518 DA Perspective Maniere universelle de M. Desargues, pour pratiquer la perspective par petit-pied, comme le geometral 1648 [creation date] 1648 13.97 x 8.38 cm ink, paper Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Public Domain 109130.tif Engravings [prints] Geometry Perspective [technique] Art 201 Art 301 Katz, Dana Sakai, Jenny Art French Renaissance 17th Century CE Book Books, Manuscripts and Publications Bosse, Abraham [French printmaker, 1602-1676] Bibliothèque Nationale de France. Retrieved online from https://gallica.bnf.fr/ark:/12148/btv1b8612037g [December 15, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 8. Additional Reference Bibliothèque Nationale de France, Paris, France, ID: RES-V-2000 [repository] https://rdc.reed.edu/record/162802/files/A_86897.jp2 access 4fd7b571-021a-4d3e-97bd-6d1e13c80a55 516720 https://rdc.reed.edu/record/162802/files/A_Mirzoeff_03.tif access 073768c3-5042-46c6-b078-b53de520a336 19553576 https://rdc.reed.edu/record/162802/files/P_109130.tif preservation 16affb3a-f695-4881-aa43-60dd9038291c 5313256 https://rdc.reed.edu/record/162802/files/A_86897.hocr 2cbfb16a-ecec-4f8d-9bb4-b5d802f605fc 2011 https://rdc.reed.edu/record/162802/files/A_86897.txt 524031ab-be9a-47dd-8b7a-b0b52b07273f 20 https://rdc.reed.edu/record/162802/files/A_Mirzoeff_03.hocr 9d869b58-a875-4beb-a2ed-f801cd8fa69f 1858 https://rdc.reed.edu/record/162802/files/A_Mirzoeff_03.txt 13d7f68e-ffda-4d40-be39-d16a2034d4ee 17 https://rdc.reed.edu/record/162802/files/P_109130.hocr a65005f4-f406-40c1-ab49-570f6d58f501 2011 https://rdc.reed.edu/record/162802/files/P_109130.txt 3b418a36-3dd5-4409-8908-dcfbc94e5410 20 211139 VRC\student3 Art & Architecture 194718 20260410112707.0 02930cc9-4b5f-493b-9cfa-b8693447c5da DA Veduta Architettonica Ideale View of an Ideal City ca. 1490-1500 [creation date] 1490 1500 51.5 in x 91.7 in tempera, wood Also known as View of an Ideal City. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Creative Commons 126603.tif Architecture [discipline] Cities Perspective [technique] Art 201 Art 320 Art 301 Sakai, Jenny Katz, Dana Art Italian Sienese Renaissance 15th Century CE Panel paintings Paintings Francesco di Giorgio Martini [Sienese painter, sculptor, and architect, 1439-1501] Wikimedia Commons. Retrieved online from https://commons.wikimedia.org/wiki/File:Francesco_di_giorgio_martini_(attr.),_veduta_architettonica_ideale,_1490-1500_ca._01.jpg [December 5, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 36. Additional Reference Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, Germany [repository] https://rdc.reed.edu/record/194718/files/A_126603.tif access 8b3a829c-9ea1-48ed-9d75-ff227c556909 41140728 https://rdc.reed.edu/record/194718/files/A_Mirzoeff_10.tif access f46c56ff-18bf-4daf-8511-e65d9ccb33df 26671756 https://rdc.reed.edu/record/194718/files/P_121262.jp2 preservation 0ba06785-36d3-4b85-8e59-bf39b524f2ee 846482 https://rdc.reed.edu/record/194718/files/P_126603.tif preservation c3e7a588-2969-4fbb-89aa-e30a68b331a7 8175012 https://rdc.reed.edu/record/194718/files/A_126603.hocr 3f1047af-94f5-42bf-bf62-8ed0b67ab3a6 2243 https://rdc.reed.edu/record/194718/files/A_126603.txt 3c7c9e38-1704-45c7-b073-5bc96c95c0be 54 https://rdc.reed.edu/record/194718/files/A_Mirzoeff_10.hocr 26f69ea1-7c0d-401e-96f5-5143737cf143 1068 https://rdc.reed.edu/record/194718/files/A_Mirzoeff_10.txt 6ae2cac8-b500-4356-a5f3-bb2a86321b5f 23 243124 REED-F9947541D7\student3 Art & Architecture 204471 20260406225930.0 20ed00f5-bcf3-41ad-9a99-53d08699ed6b DA Apollo and Daphne ca. 1623-1624 [creation dates] 1623 1624 height: 243 cm Carrara marble The spectacular Apollo and Daphne was inspired by a passage in Ovid’s Metamorphoses and was conceived, in part, as a challenge to both poetry and painting. The metamorphosis of Daphne into a laurel tree is a technical tour de force representing an apparent transmutation of marble into leaves, bark, cloth and flesh. This hallucinatory realism is matched by an extraordinary temporal innovation. The group was originally placed in a room against an interior wall close to two corner doors. Upon entering, the viewer would see only the back of Apollo and his flowing drapery, the drama unfolding in real time and space as the spectator went further into the room. Here Bernini controlled the viewer’s experience, as he did later on a much larger scale in St. Peter’s. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Archivision Inc. [all images © Scott Gilchrist / archivision.com] 7A1-BG-BG-AAD-A04.tif Greco-Roman mythology Apollo [Greek deity] Daphne [Greek mythology] Art 201 Art 320 Art 301 Katz, Dana Sakai, Jenny Art Italian Baroque 17th Century CE Sculpture Sculptures Borghese, Scipione, Cardinal [Italian cardinal, patron, 1576-1633] Bernini, Gian Lorenzo [Italian sculptor and draftsman, 1598-1680] Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 45. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 45. Additional Reference Galleria Borghese, Rome, Lazio, Italy, ID: CV [repository] https://rdc.reed.edu/record/204471/files/P_7A1-BG-BG-AAD-A04.tif preservation 34b6cea6-149c-4d57-a8c0-8973c80d537c 50098960 620884 astewart Art & Architecture 116270 20260406222716.0 67b29a76-a3ed-40e0-a271-eea98d5b1656 DA The Ideal City ca. 1470-1518 [creation date] 1470 1518 30.47 x 86.61 in oil, tempera, panel Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © Henry Walters 930724.tif Architecture [discipline] Urban planning Cities Geometry Art 201 Art 320 Humanities 210 Art 301 Katz, Dana Sakai, Jenny Art Italian Renaissance 15th Century CE Oil paintings Paintings Carnevale, Fra [Italian painter and architect, active mid-15th century, died 1484] Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 33. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 33. Additional Reference Walters Art Museum, Baltimore, Maryland, United States, ID: 37.677 [repository] https://rdc.reed.edu/record/116270/files/A_37307.jp2 access 189e66ab-19a2-4c49-9c53-362b3e98f4ae 363235 https://rdc.reed.edu/record/116270/files/P_930724.tif preservation 413bf0f6-5c90-4e48-9243-6669571072c4 6658192 https://rdc.reed.edu/record/116270/files/A_37307.hocr 45b645e4-484f-4ce4-82b5-463ba8a9f5fe 863 https://rdc.reed.edu/record/116270/files/A_37307.txt a0ad28ec-1e43-4f7c-a01d-5e5b7a047836 10 https://rdc.reed.edu/record/116270/files/P_930724.hocr 32b3e098-874a-4bbb-985a-7c8c7c7d6c87 859 https://rdc.reed.edu/record/116270/files/P_930724.txt 30a6d49d-150d-4ccb-8490-ff027bb8d2a5 10 164495 REED-5B528AF81A\Vader Art & Architecture 225196 20260413160331.0 158368c3-0a12-4a00-b978-fa03cebc1ad6 DA On the Practice of Drawing by Eyesight Traité Des Pratiques Geometrales Et Perspectives Treatise on Geometric Practices and Perspectives, Taught in the Royal Academy of Painter and Sculpture 1665 [creation date] 1665 height: 19 cm Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Public Domain Mirzoeff_02.tif Engravings [prints] Geometry Perspective [technique] Art 201 Art 301 Sakai, Jenny Katz, Dana Art French Renaissance 17th Century CE Book Books, Manuscripts and Publications Bosse, Abraham [French printmaker, 1602-1676] Bibliothèque Nationale de France. Retrieved online from https://doi.org/10.3931/e-rara-11183 [December 15, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 6. Additional Reference Bibliothèque Nationale de France, Paris, France [repository] https://rdc.reed.edu/record/225196/files/A_Mirzoeff_02.tif access a3ef5270-5455-4f16-977b-4801e925330f 12328676 https://rdc.reed.edu/record/225196/files/A_Mirzoeff_02.hocr 0f39d534-c222-4342-9d0f-6b077d4afc41 5204 https://rdc.reed.edu/record/225196/files/A_Mirzoeff_02.txt 28b75741-e12e-43dc-8f28-36b5718d4def 57 679796 cvandorff Art & Architecture 225198 20260413160331.0 a0228548-d65f-490b-9623-fd8dce4d417e DA Variations Surrounding a Forest Circus 2021 [creation date] 2021 40 x 52 x 1 in charcoal, paper Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © Charlotte Schulz Mirzoeff_05.tif Freedom Imperialism Feminism Art 201 Art 301 Katz, Dana Sakai, Jenny Art American Surrealist 21st Century CE Pen and ink drawings Drawings Schulz, Charlotte [American artist, born 1960] Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 22. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 22. Additional Reference https://rdc.reed.edu/record/225198/files/A_Mirzoeff_05.tif access 4f8d9c57-76a4-43ff-98db-c52191481917 72001852 https://rdc.reed.edu/record/225198/files/A_Mirzoeff_05.hocr 547c9b87-d3c5-4380-b0da-6b06945d5497 288 https://rdc.reed.edu/record/225198/files/A_Mirzoeff_05.txt b44bf185-090a-4ea5-bd7d-25ef2f405a12 1 679798 cvandorff Art & Architecture 225206 20260413160331.0 b71cdaba-b094-49bf-8eee-f389bfaa6839 DA Thomas Hobbes's De Cive 1642 [creation date] 1642 Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Public Domain Mirzoeff_15.tif Philosophy Empires Colonialism Art 201 Art 320 Art 301 Katz, Dana Sakai, Jenny Art French 17th Century CE Etchings Prints Matheus, Jean [French engraver, active ca. 1619-1620] Cambridge. Retrieved online from https://www.cambridge.org/core/journals/european-review/article/bridge-between-art-and-philosophy-the-case-of-thomas-hobbes/6D48E9D022A25ADDC4234C4CBAB70090#figures [November 29, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 49. Additional Reference https://rdc.reed.edu/record/225206/files/A_Mirzoeff_15.tif access 3c5105a1-795c-4441-af95-f1a3720bf70a 2058256 https://rdc.reed.edu/record/225206/files/A_Mirzoeff_15.hocr a823e5bc-01cf-457d-8a0c-11e2284fba9a 4797 https://rdc.reed.edu/record/225206/files/A_Mirzoeff_15.txt 6aa31878-9056-4479-ba31-c76c50990bb0 160 679807 cvandorff Art & Architecture 225205 20260413160331.0 9420f367-a63c-48a1-a596-8ad47977a580 DA Thomas Hobbes's Leviathan 1651 [creation date] 1651 Height: 241 mm paper Title-page to Hobbes's 'Leviathan' (London: Andrew Cooke, 1651): an allegory of governance and the nature of civil and ecclesiastical authority. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © The Trustees of the British Museum Mirzoeff_14.tif Battles Christianity Churches Art 201 Art 320 Art 301 Sakai, Jenny Katz, Dana Art French 17th Century CE Etchings Prints Bosse, Abraham [French printmaker, 1602-1676] Published by Hobbes, Thomas [English philosopher and author, 1588-1679] Cambridge. Retrieved online from https://www.cambridge.org/core/journals/european-review/article/bridge-between-art-and-philosophy-the-case-of-thomas-hobbes/6D48E9D022A25ADDC4234C4CBAB70090#figures [November 29, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 48. Additional Reference British Museum, London, England, United Kingdom, ID: 1858,0417.283 [repository] https://rdc.reed.edu/record/225205/files/A_Mirzoeff_14.tif access 6803fd8a-f26f-4940-822d-9255dcdaae47 2372271 https://rdc.reed.edu/record/225205/files/A_Mirzoeff_14.hocr 3a59ac3c-888e-4096-8d0a-7afdd7a86817 4314 https://rdc.reed.edu/record/225205/files/A_Mirzoeff_14.txt 93b48ccd-b031-4120-8be5-d49bf65e57d7 122 679806 cvandorff Art & Architecture 225207 20260413160331.0 95b90a21-4711-492f-af37-fd94f612dfc6 DA Menagerie The Barnyard 23 x 38 cm Between p. 418-419 Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Public Domain Mirzoeff_16.tif Slavery Plantations Atlantic slave trade Art 201 Art 320 Art 301 Sakai, Jenny Katz, Dana Art French French Colonial 17th Century CE Intaglio prints Prints Dutertre, Jean-Baptiste [French artist, active ca. 1756-1767] Published by Le Clerc, Sébastien, the elder [French draftsman and engraver, 1637-1714] Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 53. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 53. Additional Reference Beinecke Rare Book and Manuscript Library, New Haven, Connecticut, United States, ID: 2000518 [repository] https://rdc.reed.edu/record/225207/files/A_Mirzoeff_16.tif access 49837fea-8595-4d2b-9815-47402f32cd4b 24934664 https://rdc.reed.edu/record/225207/files/A_Mirzoeff_16.hocr 59ae2b52-1d03-47da-af2f-d364de480de6 8213 https://rdc.reed.edu/record/225207/files/A_Mirzoeff_16.txt f829075e-777a-4d35-a2c4-f64f3d401381 247 679808 cvandorff Art & Architecture 225200 20260413160331.0 17f33fd7-9098-4968-88a3-46528939d131 DA Baltimore 2003 [creation date] 2003 Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © Isaac Julien; Metro Pictures Mirzoeff_07.tif Architecture [discipline] Portraits Imaginary landscapes Colonialism Art 201 Art 320 Art 301 Katz, Dana Sakai, Jenny Art English 21st Century CE Film stills Film and Video Art Julien, Isaac [English filmmaker and installation artist, born 1960] Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 32. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 32. Additional Reference https://rdc.reed.edu/record/225200/files/A_Mirzoeff_07.tif access 05d7ec7f-9011-451e-81ad-07f33c61e169 33849644 https://rdc.reed.edu/record/225200/files/A_Mirzoeff_07.hocr 788add26-740c-4b38-b557-68104183a45a 486 https://rdc.reed.edu/record/225200/files/A_Mirzoeff_07.txt 717f4ddc-2cf7-4efe-a8b7-d4c069bf6523 5 679800 cvandorff Art & Architecture 225199 20260406230633.0 40386ef1-46d4-4157-970e-57604b59dfc7 DA Lessons of the Hour-Frederick Douglass 2019 [creation date] 2019 Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © Isaac Julien; Metro Pictures Mirzoeff_06.tif Portraits Imaginary landscapes Architecture [discipline] Colonialism Art 201 Art 320 Art 301 Katz, Dana Sakai, Jenny Art English 21st Century CE Film stills Installations Julien, Isaac [English filmmaker and installation artist, born 1960] Issac Julien. Retrieved online from https://www.isaacjulien.com/content/feature/103/image1374/project37/ [December 5, 2023]. Sourced From Mirzoeff, Nicholas. White Sight: Visual Politics and Practices of Whiteness. The MIT Press, 2023. p. 30. Additional Reference Metro Pictures, New York, New York, United States [repository] https://rdc.reed.edu/record/225199/files/A_Mirzoeff_06.tif access 568a7bdc-1c02-4aab-92e3-ff1e40a9bece 542424 679799 Installation view cvandorff Art & Architecture 225163 20260406230633.0 7e6dd3a3-8ead-4141-979f-efd0ecdd9cad DA Angels Bowing before Adam The Assemblies of Lovers Majalis al-ushshaq 1580 [creation date] 1580 29 x 18.5 cm From Supplément Persan 1150. fol. 8v, p. 29 Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Public Domain Shaw_01.tif Satanism Angels Iconoclasm Saints Art 201 Art 320 Art 301 Sakai, Jenny Katz, Dana Art Iranian Persian Islamic 16th Century CE Illuminated manuscripts Books, Manuscripts and Publications Husayn, Amir Kamal al-Din [Persian Author, died 1504] Attributed to Gazurahi, Amir Kamal al-Din [Persian Author, active 16th Century CE] Bibliothèque nationale de France. Retrieved online from https://gallica.bnf.fr/ark:/12148/btv1b84271694/f20.item [December 12, 2023]. Sourced From Shaw, Wendy M. K. What Is “Islamic” Art?: Between Religion and Perception. Cambridge University Press, 2019. p. 121. Additional Reference Bibliothéque Nationale de France, Paris, France, ID: 12148 [repository] https://rdc.reed.edu/record/225163/files/A_Shaw_01.tif access 45896b34-f18f-4a5c-af8e-9c606e70cb4a 12472064 679760 cvandorff Art & Architecture 223866 20260413152841.0 66b0b1f0-1af8-4c76-8742-16fb53529eea DA Self-portrait in fur coat 1500 [creation date] 1500 67.1 × 48.9 cm oil, lime Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Public Domain Latour_07.tif Portraits Self-portraits Portraits of artists Art 201 Art 328 Katz, Dana Odell, Dawn Art German Northern Renaissance 16th Century CE Oil paintings Paintings Dürer, Albrecht [German printmaker, painter, 1471-1528] Cabinet. Retrieved online from https://www.cabinet.ox.ac.uk/albrecht-d-rer-self-portrait-fur-coat-1500 [June 10, 2024]. Sourced From Koerner, Joseph. The Icon as Iconoclash. Iconoclash: Beyond the Image Wars in Science, Religion, and Art. Bruno, Latour and Peter Weibel. The MIT Press, 2002. p. 196. Additional Reference Ward, Tara. Appreciation Post: Towards an Art History of Instagram. University of California Press, 2024. p. 85. Additional Reference Alte Pinakothek, Munich, Germany, ID: 537 [repository] https://rdc.reed.edu/record/223866/files/A_Ward_01.tif access b80b3378-3817-4e4b-b583-f05d3c1cdee4 54262636 https://rdc.reed.edu/record/223866/files/P_Latour_07.tif preservation b11cabe0-3a9a-4f17-a8b9-88f5f7c12339 33898820 https://rdc.reed.edu/record/223866/files/A_Ward_01.hocr 2cdd4aa0-58f8-4224-8564-215480c08fec 2348 https://rdc.reed.edu/record/223866/files/A_Ward_01.txt e2def2f2-57c6-4978-b3fe-7e6042b2344a 95 https://rdc.reed.edu/record/223866/files/P_Latour_07.hocr 01eeb778-5ca9-40f5-a43e-aefb8abebb96 2224 https://rdc.reed.edu/record/223866/files/P_Latour_07.txt 60c483bf-244a-40b4-bbef-1606d3b3433f 93 677429 cvandorff Art & Architecture 225746 20260414052716.0 8a16065a-461a-4703-b3c0-cb52634b6e68 DA Compilation of poses in front of Tracey Emin, Love Is What You Want Love Is What You Want 2011 [creation date] 2011 133 × 149 cm neon Photographs by @keradiane, @shayna.rg, Shayna Raspbury-Greenspan (@lov.ings), Sammy Reilly (@thuggy_t), and Anita Anguelova (@anitaanguelova). Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © Tracey Emin Ward_02.tif Heart Appropriation [imagery] Social media Interactive art Art 201 Katz, Dana Art British English Young British Art 21st Century CE Photomontages Photography Emin, Tracey [English sculptor, painter, and installation artist, born 1963] Ward, Tara. Appreciation Post: Towards an Art History of Instagram. University of California Press, 2024. p. 91. Sourced From Ward, Tara. Appreciation Post: Towards an Art History of Instagram. University of California Press, 2024. p. 91. Additional Reference University of Michigan Museum of Art, Ann Arbor, Michigan, United States, ID: LTL2014.2 [exhibition site] https://rdc.reed.edu/record/225746/files/A_Ward_02.tif access 56ec1c8e-78e3-4dbf-8dc7-cc461996e128 127240876 https://rdc.reed.edu/record/225746/files/A_Ward_02.hocr 3351ec87-a22b-4895-b959-990b3876f091 4473 https://rdc.reed.edu/record/225746/files/A_Ward_02.txt 4d97da08-9286-475c-b982-f97842c85766 114 680729 cvandorff Art & Architecture 225747 20260414052716.0 171161f7-e408-4907-9722-9f91d1d3ed87 DA Posting by the Kaplan Twins Yesterday @revolve 2019 [creation date] 2019 Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © 2016 The Kaplan Twins Ward_03.tif Flowers Social media Sunglasses Festivals Art 201 Katz, Dana Art American Contemporary 21st Century CE Group portraits Photography Kaplan, Allie [American painter, born 1993] Attributed to The Kaplan Twins [American painters, born 1993] Kaplan, Lexi [American painter, born 1993] Courtesy of Tara Ward, Figure. 10 [June 13, 2024]. Sourced From Ward, Tara. Appreciation Post: Towards an Art History of Instagram. University of California Press, 2024. p. 106. Additional Reference https://rdc.reed.edu/record/225747/files/A_Ward_03.tif access 5aa04230-2e23-4aa7-8c47-c2d4d5276d22 6242932 https://rdc.reed.edu/record/225747/files/A_Ward_03.hocr 449e7302-cfc3-4a24-b435-30cf438766e7 2128 https://rdc.reed.edu/record/225747/files/A_Ward_03.txt 8ba03732-3946-4007-ba65-018ff4a16401 111 680730 cvandorff Art & Architecture 225748 20260414052716.0 c3e3ff63-e71a-4e3d-a41b-98faeab97b71 DA Posting by the Kaplan Twins Sweat 2018 [creation date] 2018 Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © 2016 The Kaplan Twins Ward_04.tif Roses Pose Modeling Art 201 Katz, Dana Art American Contemporary 21st Century CE Group portraits Photography Kaplan, Allie [American painter, born 1993] Attributed to The Kaplan Twins [American painters, born 1993] Kaplan, Lexi [American painter, born 1993] Instagram. Retrieved online from https://www.instagram.com/p/BfRhPdch_Ax/?igsh=MTd3cHlmNXZuaHE5cQ%3D%3D [June 10, 2024]. Sourced From Ward, Tara. Appreciation Post: Towards an Art History of Instagram. University of California Press, 2024. p. 106. Additional Reference https://rdc.reed.edu/record/225748/files/A_Ward_04.tif access 766f4528-ef67-465a-b0a5-9f6a9273696e 686797 https://rdc.reed.edu/record/225748/files/A_Ward_04.hocr 476355ae-2238-4ca1-a4d4-8683d6944306 706 https://rdc.reed.edu/record/225748/files/A_Ward_04.txt b66f0550-1ebf-4579-a740-03d36eaf08fb 7 680731 cvandorff Art & Architecture 225749 20260414052716.0 18280d41-2ae7-43ef-bec7-a41c438ce2fc DA Basquiat #SatOnYourFace 16 x 20 in Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © 2016 The Kaplan Twins Ward_05.tif Black artists Portraits of artists Buttocks Art 201 Katz, Dana Art American Contemporary 21st Century CE Acrylic paintings Paintings Kaplan, Allie [American painter, born 1993] Attributed to The Kaplan Twins [American painters, born 1993] Kaplan, Lexi [American painter, born 1993] The Kaplan Twins. Retrieved online from https://images.squarespace-cdn.com/content/v1/54a19363e4b037c197169085/1527022987617-MC3OIH7HRWGH95JBMFUF/soyf+basquiat.jpeg?format=2500w [June 10, 2024]. Sourced From Ward, Tara. Appreciation Post: Towards an Art History of Instagram. University of California Press, 2024. p. 107. Additional Reference https://rdc.reed.edu/record/225749/files/A_Ward_05.tif access 6f895d29-ccea-4daa-94c1-44c9e0c35d13 7723288 https://rdc.reed.edu/record/225749/files/A_Ward_05.hocr f46977ff-b59f-485a-8c9c-6d1e8a83d40f 479 https://rdc.reed.edu/record/225749/files/A_Ward_05.txt 1f64d62b-d7ea-4b39-938e-388e0d35aa34 4 680732 cvandorff Art & Architecture 225750 20260414052716.0 781ce1b8-bbde-471f-98b4-69b490676b29 DA Make Me Famous Allie, Emily, Lexi, Nikki, Rhianna, Vanessa Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © 2016 The Kaplan Twins Ward_06.tif Women Nudes Nudity Sexuality Internet Art 201 Katz, Dana Art American Contemporary 21st Century CE Acrylic paintings Paintings Kaplan, Allie [American painter, born 1993] Attributed to The Kaplan Twins [American painters, born 1993] Kaplan, Lexi [American painter, born 1993] Courtesy of Tara Ward, Figure. 13-Figure. 18 [June 13, 2024]. Sourced From Ward, Tara. Appreciation Post: Towards an Art History of Instagram. University of California Press, 2024. p. 109. Additional Reference https://rdc.reed.edu/record/225750/files/A_Ward_06.tif access af8d685b-b7ec-4f79-b7dd-6589cb2f6dc6 25881160 https://rdc.reed.edu/record/225750/files/A_Ward_06.hocr 5ce1fd0d-54c8-4b70-b886-2f09f296b266 288 https://rdc.reed.edu/record/225750/files/A_Ward_06.txt 7501c996-3132-4fef-b8c9-f6fcbb9d0169 1 680733 cvandorff Art & Architecture 225751 20260414052716.0 70cc6033-c6a1-4dff-b864-34e861c85b1f DA Boobs Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © 2016 The Kaplan Twins Ward_07.tif Nudes Sexuality Nudity Women Internet Art 201 Katz, Dana Art American Contemporary 21st Century CE Oil paintings Paintings Kaplan, Allie [American painter, born 1993] Attributed to The Kaplan Twins [American painters, born 1993] Kaplan, Lexi [American painter, born 1993] The Kaplan Twins. Retrieved online from https://www.thekaplantwins.com/boobs-and-more/2lalfhm3z8t7izx3isdrttywrzg0uo [June 10, 2024]. Sourced From Ward, Tara. Appreciation Post: Towards an Art History of Instagram. University of California Press, 2024. p. 115. Additional Reference https://rdc.reed.edu/record/225751/files/A_Ward_07.tif access aa13c0a2-223a-4bbf-a873-d186945fbaa5 10245720 https://rdc.reed.edu/record/225751/files/A_Ward_07.hocr 679b21df-0b85-4450-b284-d8dab28364c8 284 https://rdc.reed.edu/record/225751/files/A_Ward_07.txt 5d4abe19-efe2-4fc2-a3ba-01235281e2df 1 680734 cvandorff Art & Architecture