<?xml version="1.0" encoding="UTF-8"?>
<xml>
<records>
<record>
  <contributors>
    <authors>
      <author>Titian [Venetian painter, ca. 1488-1576]</author>
      <author>Attributed to Vecellio, Tiziano [Venetian painter, ca. 1488-1576]</author>
    </authors>
  </contributors>
  <titles>
    <title>The Rape of Europa</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>178 x 205 cm</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Zeus [Greek deity]</keyword>
    <keyword>Europa [Greek mythology]</keyword>
    <keyword>Greco-Roman mythology</keyword>
    <keyword>Bulls</keyword>
  </keywords>
  <dates>
    <year>1562</year>
    <pub-dates>
      <date>1562</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/173888/files/A_113866.tif</url>
      <url>https://rdc.reed.edu/record/173888/files/P_99617.tif</url>
      <url>https://rdc.reed.edu/record/173888/files/A_113866.hocr</url>
      <url>https://rdc.reed.edu/record/173888/files/A_113866.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Carnevale, Fra [Italian painter and architect, active mid-15th century, died 1484]</author>
    </authors>
  </contributors>
  <titles>
    <title>The Ideal City</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>27 x 94.2 in</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Architecture [discipline]</keyword>
    <keyword>Cities</keyword>
    <keyword>Urban planning</keyword>
  </keywords>
  <dates>
    <year>1470</year>
    <pub-dates>
      <date>1470</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225201/files/A_Mirzoeff_09.tif</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Dutertre, Jean-Baptiste [French artist, active ca. 1756-1767]</author>
    </authors>
  </contributors>
  <titles>
    <title>L'Isle de la Martinique</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages/>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Slavery</keyword>
    <keyword>Plantations</keyword>
    <keyword>Atlantic slave trade</keyword>
  </keywords>
  <dates>
    <year>1667</year>
    <pub-dates>
      <date>1667</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225208/files/A_Mirzoeff_17.tif</url>
      <url>https://rdc.reed.edu/record/225208/files/A_Mirzoeff_17.hocr</url>
      <url>https://rdc.reed.edu/record/225208/files/A_Mirzoeff_17.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Stradanus [Flemish painter and draftsman, 1523-1605, active in Italy]</author>
      <author>Attributed to Straet, Jan van der [Flemish painter, died 1535]</author>
    </authors>
  </contributors>
  <titles>
    <title>Allegory of America</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>19 x 26.9 cm</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Slave ships</keyword>
    <keyword>Slavery</keyword>
    <keyword>Colonialism</keyword>
  </keywords>
  <dates>
    <year>1587</year>
    <pub-dates>
      <date>1587</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225202/files/A_Mirzoeff_11.tif</url>
      <url>https://rdc.reed.edu/record/225202/files/A_Mirzoeff_11.hocr</url>
      <url>https://rdc.reed.edu/record/225202/files/A_Mirzoeff_11.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Attributed to Carnevale, Fulvia [Italian conceptual artist, born 1975]; Attributed to Thornhill, James [British conceptual artist, active 2005]</author>
      <author>Fontaine, Claire [French conceptual artist, founded 2004]</author>
    </authors>
  </contributors>
  <titles>
    <title>STRIKE, K. FONT, V.1</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>132 x 621 x 40 cm</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Signs</keyword>
    <keyword>Light art</keyword>
    <keyword>Symbols</keyword>
    <keyword>Protests</keyword>
  </keywords>
  <dates>
    <year>2005</year>
    <pub-dates>
      <date>2005</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes>The installation, equipped with detectors, turns off as soon as a visitor approaches it.</notes>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225195/files/A_strike_sculpture_center_ny.tif</url>
      <url>https://rdc.reed.edu/record/225195/files/P_Mirzoeff_01.tif</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Edwards, Hickory [Onondagan activist and educator, active 2008]</author>
    </authors>
  </contributors>
  <titles>
    <title>Mile marker post</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>350 x 152 x 61 cm</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Water pollution</keyword>
    <keyword>Water supply systems</keyword>
    <keyword>Protests</keyword>
    <keyword>Colonialism</keyword>
  </keywords>
  <dates>
    <year>2016</year>
    <pub-dates>
      <date>2016</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes>Covered in dozens of handmade pointer arrows bearing the names of participant’s homes and the distances they covered to the protest camps, the signpost illustrates well the breadth of support—both national and international—for the Sioux Indians denied a voice in the planning of the pipeline, which verges close enough to their tribal land to risk contaminating their drinking water and disrupting their way of life.</notes>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225197/files/A_Mirzoeff_04.tif</url>
      <url>https://rdc.reed.edu/record/225197/files/A_Mirzoeff_04.hocr</url>
      <url>https://rdc.reed.edu/record/225197/files/A_Mirzoeff_04.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Ligon, Richard [English author and illustrator, 1585-1662]</author>
    </authors>
  </contributors>
  <titles>
    <title>Map of Barbados in A True and exact History of the Island of Barbados</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages/>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Slavery</keyword>
    <keyword>Plantations</keyword>
    <keyword>Atlantic slave trade</keyword>
  </keywords>
  <dates>
    <year>1657</year>
    <pub-dates>
      <date>1657</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225209/files/A_Mirzoeff_18.tif</url>
      <url>https://rdc.reed.edu/record/225209/files/A_Mirzoeff_18.hocr</url>
      <url>https://rdc.reed.edu/record/225209/files/A_Mirzoeff_18.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Tacca, Pietro [Italian sculptor and architect, 1577-1640]</author>
    </authors>
  </contributors>
  <titles>
    <title>Monumento dei quattro mori a Ferdinando I</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages/>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Prisoners</keyword>
    <keyword>Piazzas [squares]</keyword>
    <keyword>Monuments</keyword>
  </keywords>
  <dates>
    <year>1626</year>
    <pub-dates>
      <date>1626</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225203/files/A_Mirzoeff_12.tif</url>
      <url>https://rdc.reed.edu/record/225203/files/A_Mirzoeff_12.hocr</url>
      <url>https://rdc.reed.edu/record/225203/files/A_Mirzoeff_12.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Tacca, Pietro [Italian sculptor and architect, 1577-1640]</author>
    </authors>
  </contributors>
  <titles>
    <title>Monumento dei quattro mori a Ferdinando I</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages/>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Prisoners</keyword>
    <keyword>Piazzas [squares]</keyword>
    <keyword>Monuments</keyword>
  </keywords>
  <dates>
    <year>1626</year>
    <pub-dates>
      <date>1626</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225204/files/A_Mirzoeff_13.tif</url>
      <url>https://rdc.reed.edu/record/225204/files/A_Mirzoeff_13.hocr</url>
      <url>https://rdc.reed.edu/record/225204/files/A_Mirzoeff_13.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Bosse, Abraham [French printmaker, 1602-1676]</author>
    </authors>
  </contributors>
  <titles>
    <title>Perspective</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>13.97 x 8.38 cm</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Engravings [prints]</keyword>
    <keyword>Geometry</keyword>
    <keyword>Perspective [technique]</keyword>
  </keywords>
  <dates>
    <year>1648</year>
    <pub-dates>
      <date>1648</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/162802/files/A_86897.jp2</url>
      <url>https://rdc.reed.edu/record/162802/files/A_Mirzoeff_03.tif</url>
      <url>https://rdc.reed.edu/record/162802/files/P_109130.tif</url>
      <url>https://rdc.reed.edu/record/162802/files/A_86897.hocr</url>
      <url>https://rdc.reed.edu/record/162802/files/A_86897.txt</url>
      <url>https://rdc.reed.edu/record/162802/files/A_Mirzoeff_03.hocr</url>
      <url>https://rdc.reed.edu/record/162802/files/A_Mirzoeff_03.txt</url>
      <url>https://rdc.reed.edu/record/162802/files/P_109130.hocr</url>
      <url>https://rdc.reed.edu/record/162802/files/P_109130.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Francesco di Giorgio Martini [Sienese painter, sculptor, and architect, 1439-1501]</author>
    </authors>
  </contributors>
  <titles>
    <title>Veduta Architettonica Ideale</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>51.5 in x 91.7 in</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Architecture [discipline]</keyword>
    <keyword>Cities</keyword>
    <keyword>Perspective [technique]</keyword>
  </keywords>
  <dates>
    <year>1490</year>
    <pub-dates>
      <date>1490</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes>Also known as View of an Ideal City.</notes>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/194718/files/A_126603.tif</url>
      <url>https://rdc.reed.edu/record/194718/files/A_Mirzoeff_10.tif</url>
      <url>https://rdc.reed.edu/record/194718/files/P_121262.jp2</url>
      <url>https://rdc.reed.edu/record/194718/files/P_126603.tif</url>
      <url>https://rdc.reed.edu/record/194718/files/A_126603.hocr</url>
      <url>https://rdc.reed.edu/record/194718/files/A_126603.txt</url>
      <url>https://rdc.reed.edu/record/194718/files/A_Mirzoeff_10.hocr</url>
      <url>https://rdc.reed.edu/record/194718/files/A_Mirzoeff_10.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Borghese, Scipione, Cardinal [Italian cardinal, patron, 1576-1633]</author>
      <author>Bernini, Gian Lorenzo [Italian sculptor and draftsman, 1598-1680]</author>
    </authors>
  </contributors>
  <titles>
    <title>Apollo and Daphne</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>height: 243 cm</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Greco-Roman mythology</keyword>
    <keyword>Apollo [Greek deity]</keyword>
    <keyword>Daphne [Greek mythology]</keyword>
  </keywords>
  <dates>
    <year>1623</year>
    <pub-dates>
      <date>1623</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes>The spectacular Apollo and Daphne was inspired by a passage in Ovid’s Metamorphoses and was conceived, in part, as a challenge to both poetry and painting. The metamorphosis of Daphne into a laurel tree is a technical tour de force representing an apparent transmutation of marble into leaves, bark, cloth and flesh. This hallucinatory realism is matched by an extraordinary temporal innovation. The group was originally placed in a room against an interior wall close to two corner doors. Upon entering, the viewer would see only the back of Apollo and his flowing drapery, the drama unfolding in real time and space as the spectator went further into the room. Here Bernini controlled the viewer’s experience, as he did later on a much larger scale in St. Peter’s.</notes>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/204471/files/P_7A1-BG-BG-AAD-A04.tif</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Carnevale, Fra [Italian painter and architect, active mid-15th century, died 1484]</author>
    </authors>
  </contributors>
  <titles>
    <title>The Ideal City</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>30.47 x 86.61 in</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Architecture [discipline]</keyword>
    <keyword>Urban planning</keyword>
    <keyword>Cities</keyword>
    <keyword>Geometry</keyword>
  </keywords>
  <dates>
    <year>1470</year>
    <pub-dates>
      <date>1470</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/116270/files/A_37307.jp2</url>
      <url>https://rdc.reed.edu/record/116270/files/P_930724.tif</url>
      <url>https://rdc.reed.edu/record/116270/files/A_37307.hocr</url>
      <url>https://rdc.reed.edu/record/116270/files/A_37307.txt</url>
      <url>https://rdc.reed.edu/record/116270/files/P_930724.hocr</url>
      <url>https://rdc.reed.edu/record/116270/files/P_930724.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Bosse, Abraham [French printmaker, 1602-1676]</author>
    </authors>
  </contributors>
  <titles>
    <title>On the Practice of Drawing by Eyesight</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>height: 19 cm</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Engravings [prints]</keyword>
    <keyword>Geometry</keyword>
    <keyword>Perspective [technique]</keyword>
  </keywords>
  <dates>
    <year>1665</year>
    <pub-dates>
      <date>1665</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225196/files/A_Mirzoeff_02.tif</url>
      <url>https://rdc.reed.edu/record/225196/files/A_Mirzoeff_02.hocr</url>
      <url>https://rdc.reed.edu/record/225196/files/A_Mirzoeff_02.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Schulz, Charlotte [American artist, born 1960]</author>
    </authors>
  </contributors>
  <titles>
    <title>Variations Surrounding a Forest Circus</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>40 x 52 x 1 in</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Freedom</keyword>
    <keyword>Imperialism</keyword>
    <keyword>Feminism</keyword>
  </keywords>
  <dates>
    <year>2021</year>
    <pub-dates>
      <date>2021</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225198/files/A_Mirzoeff_05.tif</url>
      <url>https://rdc.reed.edu/record/225198/files/A_Mirzoeff_05.hocr</url>
      <url>https://rdc.reed.edu/record/225198/files/A_Mirzoeff_05.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Matheus, Jean [French engraver, active ca. 1619-1620]</author>
    </authors>
  </contributors>
  <titles>
    <title>Thomas Hobbes's De Cive</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages/>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Philosophy</keyword>
    <keyword>Empires</keyword>
    <keyword>Colonialism</keyword>
  </keywords>
  <dates>
    <year>1642</year>
    <pub-dates>
      <date>1642</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225206/files/A_Mirzoeff_15.tif</url>
      <url>https://rdc.reed.edu/record/225206/files/A_Mirzoeff_15.hocr</url>
      <url>https://rdc.reed.edu/record/225206/files/A_Mirzoeff_15.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Bosse, Abraham [French printmaker, 1602-1676]</author>
      <author>Published by Hobbes, Thomas [English philosopher and author, 1588-1679]</author>
    </authors>
  </contributors>
  <titles>
    <title>Thomas Hobbes's Leviathan</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>Height: 241 mm</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Battles</keyword>
    <keyword>Christianity</keyword>
    <keyword>Churches</keyword>
  </keywords>
  <dates>
    <year>1651</year>
    <pub-dates>
      <date>1651</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes>Title-page to Hobbes's 'Leviathan' (London: Andrew Cooke, 1651): an allegory of governance and the nature of civil and ecclesiastical authority.</notes>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225205/files/A_Mirzoeff_14.tif</url>
      <url>https://rdc.reed.edu/record/225205/files/A_Mirzoeff_14.hocr</url>
      <url>https://rdc.reed.edu/record/225205/files/A_Mirzoeff_14.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Dutertre, Jean-Baptiste [French artist, active ca. 1756-1767]</author>
      <author>Published by Le Clerc, Sébastien, the elder [French draftsman and engraver, 1637-1714]</author>
    </authors>
  </contributors>
  <titles>
    <title>Menagerie</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>23 x 38 cm</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Slavery</keyword>
    <keyword>Plantations</keyword>
    <keyword>Atlantic slave trade</keyword>
  </keywords>
  <dates>
    <year/>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes>Between p. 418-419</notes>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225207/files/A_Mirzoeff_16.tif</url>
      <url>https://rdc.reed.edu/record/225207/files/A_Mirzoeff_16.hocr</url>
      <url>https://rdc.reed.edu/record/225207/files/A_Mirzoeff_16.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Julien, Isaac [English filmmaker and installation artist, born 1960]</author>
    </authors>
  </contributors>
  <titles>
    <title>Baltimore</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages/>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Architecture [discipline]</keyword>
    <keyword>Portraits</keyword>
    <keyword>Imaginary landscapes</keyword>
    <keyword>Colonialism</keyword>
  </keywords>
  <dates>
    <year>2003</year>
    <pub-dates>
      <date>2003</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225200/files/A_Mirzoeff_07.tif</url>
      <url>https://rdc.reed.edu/record/225200/files/A_Mirzoeff_07.hocr</url>
      <url>https://rdc.reed.edu/record/225200/files/A_Mirzoeff_07.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Julien, Isaac [English filmmaker and installation artist, born 1960]</author>
    </authors>
  </contributors>
  <titles>
    <title>Lessons of the Hour-Frederick Douglass</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages/>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Portraits</keyword>
    <keyword>Imaginary landscapes</keyword>
    <keyword>Architecture [discipline]</keyword>
    <keyword>Colonialism</keyword>
  </keywords>
  <dates>
    <year>2019</year>
    <pub-dates>
      <date>2019</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225199/files/A_Mirzoeff_06.tif</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Husayn, Amir Kamal al-Din [Persian Author, died 1504]</author>
      <author>Attributed to Gazurahi, Amir Kamal al-Din [Persian Author, active 16th Century CE]</author>
    </authors>
  </contributors>
  <titles>
    <title>Angels Bowing before Adam</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>29 x 18.5 cm</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Satanism</keyword>
    <keyword>Angels</keyword>
    <keyword>Iconoclasm</keyword>
    <keyword>Saints</keyword>
  </keywords>
  <dates>
    <year>1580</year>
    <pub-dates>
      <date>1580</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes>From Supplément Persan 1150. fol. 8v, p. 29</notes>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225163/files/A_Shaw_01.tif</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Dürer, Albrecht [German printmaker, painter, 1471-1528]</author>
    </authors>
  </contributors>
  <titles>
    <title>Self-portrait in fur coat</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>67.1 × 48.9 cm</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Portraits</keyword>
    <keyword>Self-portraits</keyword>
    <keyword>Portraits of artists</keyword>
  </keywords>
  <dates>
    <year>1500</year>
    <pub-dates>
      <date>1500</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/223866/files/A_Ward_01.tif</url>
      <url>https://rdc.reed.edu/record/223866/files/P_Latour_07.tif</url>
      <url>https://rdc.reed.edu/record/223866/files/A_Ward_01.hocr</url>
      <url>https://rdc.reed.edu/record/223866/files/A_Ward_01.txt</url>
      <url>https://rdc.reed.edu/record/223866/files/P_Latour_07.hocr</url>
      <url>https://rdc.reed.edu/record/223866/files/P_Latour_07.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Emin, Tracey [English sculptor, painter, and installation artist, born 1963]</author>
    </authors>
  </contributors>
  <titles>
    <title>Compilation of poses in front of Tracey Emin, Love Is What You Want</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>133 × 149 cm</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Heart</keyword>
    <keyword>Appropriation [imagery]</keyword>
    <keyword>Social media</keyword>
    <keyword>Interactive art</keyword>
  </keywords>
  <dates>
    <year>2011</year>
    <pub-dates>
      <date>2011</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes>Photographs by @keradiane, @shayna.rg, Shayna Raspbury-Greenspan (@lov.ings), Sammy Reilly (@thuggy_t), and Anita Anguelova (@anitaanguelova).</notes>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225746/files/A_Ward_02.tif</url>
      <url>https://rdc.reed.edu/record/225746/files/A_Ward_02.hocr</url>
      <url>https://rdc.reed.edu/record/225746/files/A_Ward_02.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Kaplan, Allie [American painter, born 1993]</author>
      <author>Attributed to The Kaplan Twins [American painters, born 1993]</author>
      <author>Kaplan, Lexi [American painter, born 1993]</author>
    </authors>
  </contributors>
  <titles>
    <title>Posting by the Kaplan Twins</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages/>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Flowers</keyword>
    <keyword>Social media</keyword>
    <keyword>Sunglasses</keyword>
    <keyword>Festivals</keyword>
  </keywords>
  <dates>
    <year>2019</year>
    <pub-dates>
      <date>2019</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225747/files/A_Ward_03.tif</url>
      <url>https://rdc.reed.edu/record/225747/files/A_Ward_03.hocr</url>
      <url>https://rdc.reed.edu/record/225747/files/A_Ward_03.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Kaplan, Allie [American painter, born 1993]</author>
      <author>Attributed to The Kaplan Twins [American painters, born 1993]</author>
      <author>Kaplan, Lexi [American painter, born 1993]</author>
    </authors>
  </contributors>
  <titles>
    <title>Posting by the Kaplan Twins</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages/>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Roses</keyword>
    <keyword>Pose</keyword>
    <keyword>Modeling</keyword>
  </keywords>
  <dates>
    <year>2018</year>
    <pub-dates>
      <date>2018</date>
    </pub-dates>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225748/files/A_Ward_04.tif</url>
      <url>https://rdc.reed.edu/record/225748/files/A_Ward_04.hocr</url>
      <url>https://rdc.reed.edu/record/225748/files/A_Ward_04.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Kaplan, Allie [American painter, born 1993]</author>
      <author>Attributed to The Kaplan Twins [American painters, born 1993]</author>
      <author>Kaplan, Lexi [American painter, born 1993]</author>
    </authors>
  </contributors>
  <titles>
    <title>Basquiat #SatOnYourFace</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages>16 x 20 in</pages>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Black artists</keyword>
    <keyword>Portraits of artists</keyword>
    <keyword>Buttocks</keyword>
  </keywords>
  <dates>
    <year/>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225749/files/A_Ward_05.tif</url>
      <url>https://rdc.reed.edu/record/225749/files/A_Ward_05.hocr</url>
      <url>https://rdc.reed.edu/record/225749/files/A_Ward_05.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Kaplan, Allie [American painter, born 1993]</author>
      <author>Attributed to The Kaplan Twins [American painters, born 1993]</author>
      <author>Kaplan, Lexi [American painter, born 1993]</author>
    </authors>
  </contributors>
  <titles>
    <title>Make Me Famous</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages/>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Women</keyword>
    <keyword>Nudes</keyword>
    <keyword>Nudity</keyword>
    <keyword>Sexuality</keyword>
    <keyword>Internet</keyword>
  </keywords>
  <dates>
    <year/>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225750/files/A_Ward_06.tif</url>
      <url>https://rdc.reed.edu/record/225750/files/A_Ward_06.hocr</url>
      <url>https://rdc.reed.edu/record/225750/files/A_Ward_06.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>

<record>
  <contributors>
    <authors>
      <author>Kaplan, Allie [American painter, born 1993]</author>
      <author>Attributed to The Kaplan Twins [American painters, born 1993]</author>
      <author>Kaplan, Lexi [American painter, born 1993]</author>
    </authors>
  </contributors>
  <titles>
    <title>Boobs</title>
    <translated-title/>
    <tertiary-title/>
  </titles>
  <periodical>
    <full-title/>
  </periodical>
  <alt-periodical>
    <full-title/>
    <abbr-1/>
  </alt-periodical>
  <pages/>
  <section/>
  <volume/>
  <number/>
  <keywords>
    <keyword>Nudes</keyword>
    <keyword>Sexuality</keyword>
    <keyword>Nudity</keyword>
    <keyword>Women</keyword>
    <keyword>Internet</keyword>
  </keywords>
  <dates>
    <year/>
  </dates>
  <abstract/>
  <pub-location/>
  <publisher/>
  <issn/>
  <isbn/>
  <custom3/>
  <custom7/>
  <notes/>
  <work-type/>
  <electronic-resource-num/>
  <urls>
    <related-urls>
      <url>https://rdc.reed.edu/record/225751/files/A_Ward_07.tif</url>
      <url>https://rdc.reed.edu/record/225751/files/A_Ward_07.hocr</url>
      <url>https://rdc.reed.edu/record/225751/files/A_Ward_07.txt</url>
    </related-urls>
  </urls>
  <language/>
</record>


</records>
</xml>