<?xml version="1.0" encoding="UTF-8"?>
<references>
<reference>
  <rt/>
  <a1>deCaires Taylor, Jason [British sculptor and environmentalist, born 1974]</a1>
  <t1>Vicissitudes</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Conservation;
                Coral;
                Metamorphosis;
                Environmentalism;
                Marine art;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225714/files/A_Taylor_01.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>deCaires Taylor, Jason [British sculptor and environmentalist, born 1974]</a1>
  <t1>Christ of the Deep</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Conservation;
                Coral;
                Metamorphosis;
                Environmentalism;
                Marine art;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225715/files/A_Taylor_02.tif;
	https://rdc.reed.edu/record/225715/files/A_Taylor_02.hocr;
	https://rdc.reed.edu/record/225715/files/A_Taylor_02.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>deCaires Taylor, Jason [British sculptor and environmentalist, born 1974]</a1>
  <t1>The Nutmeg Princess</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Conservation;
                Coral;
                Metamorphosis;
                Environmentalism;
                Marine art;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225716/files/A_Taylor_03.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>deCaires Taylor, Jason [British sculptor and environmentalist, born 1974]</a1>
  <t1>The Unstill Life</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Conservation;
                Coral;
                Metamorphosis;
                Environmentalism;
                Marine art;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225717/files/A_Taylor_04.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Thai sculptor</a1>
  <t1>Buddha head in a banyan tree</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Temples;
                Temple sculptures;
                Buddhas;
                Buddhism;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224132/files/A_Levine-b_02.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Wenqing, Li [Chinese artist, ca. 1869-1931]</a1>
  <t1>Luohan Taming a Tiger</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>5.875 x 4.31 in</op>
  <ab/>
  <la/>
  <k1>Buddhism;
                Leaves;
                Buddhas;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224130/files/A_Levine-b_05.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Thai sculptor</a1>
  <t1>Buddha head in a tree</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Bricks [clay material];
                Buddhas;
                Trees;
                Buddhism;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224133/files/A_Levine-b_03.tif;
	https://rdc.reed.edu/record/224133/files/A_Levine-b_03.hocr;
	https://rdc.reed.edu/record/224133/files/A_Levine-b_03.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Enkū [Japanese sculptor, 1632-1695]</a1>
  <t1>Carving an icon into a tree</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Buddhas;
                Trees;
                Ladders;
                Buddhism;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224129/files/A_Levine-b_04.tif;
	https://rdc.reed.edu/record/224129/files/A_Levine-b_04.hocr;
	https://rdc.reed.edu/record/224129/files/A_Levine-b_04.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Thai sculptor</a1>
  <t1>Buddha head in a tree</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Bricks [clay material];
                Trees;
                Buddhas;
                Buddhism;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224131/files/A_Levine-b_01.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <t1>Western Entrance Pavilion, Third Enclosure, Eastern Facade</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Temples;
                Buddhas;
                Buddhism;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224134/files/A_Levine-b_06.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Havell, Robert, Jr. [American printmaker and painter, 1793-1878]</a1>
  <a1>Audubon, John James [American painter and naturalist, 1785-1851]</a1>
  <t1>Passenger Pigeon, plate 62</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Florida;
                Birds;
                Migration;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226667/files/A_Mirzoeff_05.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Havell, Robert, Jr. [American printmaker and painter, 1793-1878]</a1>
  <a1>Audubon, John James [American painter and naturalist, 1785-1851]</a1>
  <t1>Golden Plover, plate 300</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Florida;
                Birds;
                Migration;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226668/files/A_Mirzoeff_06.tif;
	https://rdc.reed.edu/record/226668/files/A_Mirzoeff_06.hocr;
	https://rdc.reed.edu/record/226668/files/A_Mirzoeff_06.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Havell, Robert, Jr. [American printmaker and painter, 1793-1878]</a1>
  <a1>Audubon, John James [American painter and naturalist, 1785-1851]</a1>
  <t1>Snowy Heron, or White Egret, plate 242</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Florida;
                Birds;
                Migration;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226669/files/A_Mirzoeff_07.tif;
	https://rdc.reed.edu/record/226669/files/A_Mirzoeff_07.hocr;
	https://rdc.reed.edu/record/226669/files/A_Mirzoeff_07.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown American artist</a1>
  <t1>Man stands on top of enormous pile of buffalo skulls</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Buffaloes;
                Standing figures;
                Skulls;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226670/files/A_Mirzoeff_08.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Attributed to Bain News Service [American press, founded in 1907]</a1>
  <a1>Bain, George Grantham [American author and inventor, 1865-1944]</a1>
  <t1>Head and shoulders of model wearing "Chanticleer" hat of bird feathers</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Fashion;
                Birds;
                Hats;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226671/files/A_Mirzoeff_09.tif;
	https://rdc.reed.edu/record/226671/files/A_Mirzoeff_09.hocr;
	https://rdc.reed.edu/record/226671/files/A_Mirzoeff_09.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Chapman, Frank [American ornithologist, 1864-1945]</a1>
  <t1>Wading Birds Diorama</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Birds;
                Installations [exhibitions];
                Dioramas;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226672/files/A_Mirzoeff_10.tif;
	https://rdc.reed.edu/record/226672/files/A_Mirzoeff_10.hocr;
	https://rdc.reed.edu/record/226672/files/A_Mirzoeff_10.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown American artist</a1>
  <t1>Pedigree exhibit: The near-kin of Theodore Roosevelt</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Graphs;
                Family trees;
                Inheritance and succession;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226673/files/A_Roosevelt-Near-Kin.tif;
	https://rdc.reed.edu/record/226673/files/P_Mirzoeff_11.tif;
	https://rdc.reed.edu/record/226673/files/A_Roosevelt-Near-Kin.hocr;
	https://rdc.reed.edu/record/226673/files/A_Roosevelt-Near-Kin.txt;
	https://rdc.reed.edu/record/226673/files/P_Mirzoeff_11.hocr;
	https://rdc.reed.edu/record/226673/files/P_Mirzoeff_11.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Fraser, James Earle [American medalist and sculptor, 1876-1953]</a1>
  <t1>Equestrian Statue of Theodore Roosevelt</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>300 cm × 218 cm × 450 cm</op>
  <ab/>
  <la/>
  <k1>Equestrians;
                Memorials [monuments];
                Presidents;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226674/files/A_Mirzoeff_12.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Critz, John de, the elder [English painter of Flemish origin, 1551/1552-1642]</a1>
  <t1>Third Earl of Southampton</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>History of Costume;
                Standing figures;
                Castles [fortifications];
                Cats;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/217214/files/P_145670.tif;
	https://rdc.reed.edu/record/217214/files/P_145670.hocr;
	https://rdc.reed.edu/record/217214/files/P_145670.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Topsell, Edward [English cleric and author, ca. 1572-1625]</a1>
  <t1>A cat</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Engravings [prints];
                Cats;
                Books;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226690/files/A_Raber_01.tif;
	https://rdc.reed.edu/record/226690/files/A_Raber_01.hocr;
	https://rdc.reed.edu/record/226690/files/A_Raber_01.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Wither, George [British poet, 1588-1667]</a1>
  <a1>Attributed to Marshall, William [English engraver, active ca. 1617-1650]; Passe, Crispijn de, the elder [Dutch printmaker, ca.1565-1637]</a1>
  <t1>A Tyrannous or wicked Magistrate is fitly represented by a cat</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Engravings [prints];
                Cats;
                Books;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226691/files/A_Raber_02.tif;
	https://rdc.reed.edu/record/226691/files/A_Raber_02.hocr;
	https://rdc.reed.edu/record/226691/files/A_Raber_02.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Hogarth, William [English painter and engraver, 1697-1764]</a1>
  <t1>The Graham Children</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Portraits;
                Family portraits;
                Children;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226692/files/A_Raber_04.tif;
	https://rdc.reed.edu/record/226692/files/A_Raber_04.hocr;
	https://rdc.reed.edu/record/226692/files/A_Raber_04.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Saksaywaman</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Inca;
                Ruins;
                Citadels;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207644/files/A_140723.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Vilcashuamán</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207651/files/A_140730.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Curvilinear terracing</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut architecture;
                Ruins;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224027/files/A_Dean_23.tif;
	https://rdc.reed.edu/record/224027/files/A_Dean_23.hocr;
	https://rdc.reed.edu/record/224027/files/A_Dean_23.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Martín de Murúa [Spanish author, historian, died ca. 1613]</a1>
  <t1>Historia y genealogía de los reyes incas del Perú</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>height: 30 cm</op>
  <ab/>
  <la/>
  <k1>Inca;
                Bricks [clay material];
                Mountains;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225154/files/A_Dean_13.tif;
	https://rdc.reed.edu/record/225154/files/A_Dean_13.hocr;
	https://rdc.reed.edu/record/225154/files/A_Dean_13.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Martíín de Murúa [Spanish author, historian, died ca. 1613]</a1>
  <t1>Ynga Urcon moving a sayk'uska</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rope;
                Inca;
                Offerings;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224034/files/A_Dean_30.tif;
	https://rdc.reed.edu/record/224034/files/A_Dean_30.hocr;
	https://rdc.reed.edu/record/224034/files/A_Dean_30.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Poma de Ayala, Felipe Guamán [Peruvian author and illustrator, ca.1526-ca.1615]</a1>
  <t1>Inga Urcon moving a sayk'uska</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rope;
                Inca;
                Offerings;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224033/files/A_Dean_29.tif;
	https://rdc.reed.edu/record/224033/files/A_Dean_29.hocr;
	https://rdc.reed.edu/record/224033/files/A_Dean_29.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Kenko Grande</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Altars;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207638/files/A_140717.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Carved rock passage</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut architecture;
                Ruins;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224028/files/A_Dean_24.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Poma de Ayala, Felipe Guamán [Peruvian author and illustrator, ca. 1526-ca. 1615]</a1>
  <t1>El primer nueva corónica y buen gobierno</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Coat of arms;
                Anthropomorphism;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225151/files/A_Dean_05.tif;
	https://rdc.reed.edu/record/225151/files/A_Dean_05.hocr;
	https://rdc.reed.edu/record/225151/files/A_Dean_05.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Saksaywaman</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Citadels;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207654/files/A_140733.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Sacred rock replicating Mount Yanatin beyond</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Citadels;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224021/files/A_Dean_17.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Chinkana Grande</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut architecture;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224026/files/A_Dean_22.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>León, Pedro Cieza de [Spanish conquistador and historian, 1520-1554]</a1>
  <t1>Crónica General del Perú</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Peru;
                Conquistadors;
                Imperialism;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207570/files/A_140687.tif;
	https://rdc.reed.edu/record/207570/files/A_140687.hocr;
	https://rdc.reed.edu/record/207570/files/A_140687.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Machu Picchu</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Mountains;
                Citadels;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224006/files/A_Dean_02.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Murúa, Martín de [Spanish author, 1525-1613]</a1>
  <t1>Historia y Genealogía de Los Reyes Incas del Perú</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1/>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207632/files/A_140711.tif;
	https://rdc.reed.edu/record/207632/files/A_140711.hocr;
	https://rdc.reed.edu/record/207632/files/A_140711.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Carved stone with steps and crevice</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut architecture;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224023/files/A_Dean_19.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Poma de Ayala, Felipe Guamán [Peruvian author and illustrator, ca.1526-ca.1615]</a1>
  <t1>Coat of arms with Wanakawri as both mountain and anthromorph</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Coat of arms;
                Mountains;
                Anthropomorphism;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224009/files/A_Dean_05.tif;
	https://rdc.reed.edu/record/224009/files/A_Dean_05.hocr;
	https://rdc.reed.edu/record/224009/files/A_Dean_05.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Megalithic wall</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Inca;
                Abstract patterns;
                Ruins;
                Walls;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225150/files/A_Dean_04.tif;
	https://rdc.reed.edu/record/225150/files/A_Dean_04.hocr;
	https://rdc.reed.edu/record/225150/files/A_Dean_04.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Zigzag terraces</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Terraces;
                Stone carving;
                Rock-cut architecture;
                Terraced buildings;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224031/files/A_Dean_27.tif;
	https://rdc.reed.edu/record/224031/files/A_Dean_27.hocr;
	https://rdc.reed.edu/record/224031/files/A_Dean_27.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Murúa, Martín de [Spanish author, historian, died ca. 1613]</a1>
  <t1>Specialist constructing saywa</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Bricks [clay material];
                Stonework;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224016/files/A_Dean_12.tif;
	https://rdc.reed.edu/record/224016/files/A_Dean_12.hocr;
	https://rdc.reed.edu/record/224016/files/A_Dean_12.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Moray</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207645/files/A_140724.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Murúa, Martín de [Spanish author, 1525-1613]</a1>
  <t1>Historia y Genealogía de Los Reyes Incas del Perú</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1/>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207635/files/A_140714.tif;
	https://rdc.reed.edu/record/207635/files/A_140714.hocr;
	https://rdc.reed.edu/record/207635/files/A_140714.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Murúa, Martín de [Spanish author, 1525-1613]</a1>
  <t1>Historia y Genealogía de Los Reyes Incas del Perú</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1/>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207636/files/A_140715.tif;
	https://rdc.reed.edu/record/207636/files/A_140715.hocr;
	https://rdc.reed.edu/record/207636/files/A_140715.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Quillarumi, a carved rock located near an extensive waterworks</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut architecture;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224024/files/A_Dean_20.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca carver</a1>
  <t1>Royal Mausoleum</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Stonework;
                Inca;
                Mausoleums;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225156/files/A_Dean_21.tif;
	https://rdc.reed.edu/record/225156/files/A_Dean_21.hocr;
	https://rdc.reed.edu/record/225156/files/A_Dean_21.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Saksaywaman</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Inca;
                Ruins;
                Citadels;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207655/files/A_140734.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Machu Picchu</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Stonework;
                Abandoned cities;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207571/files/A_140688.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Vilcashuaman, double lithic seat</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207656/files/A_140735.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Santa Cruz Pachacuti Yamqui Salcamaygua, Juan de  [Peruvian viceroyalty and author, active ca. 1550-1650]</a1>
  <t1>Relación de Antigüedades</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ancestors;
                Marginal illustrations;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207855/files/A_140704.tif;
	https://rdc.reed.edu/record/207855/files/A_140704.hocr;
	https://rdc.reed.edu/record/207855/files/A_140704.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Curvilinear terracing</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225157/files/A_Dean_23.tif;
	https://rdc.reed.edu/record/225157/files/A_Dean_23.hocr;
	https://rdc.reed.edu/record/225157/files/A_Dean_23.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Martín de Murúa [Spanish author, historian, died ca. 1613]</a1>
  <t1>Historia y genealogía de los reyes incas del Perú</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>height: 30 cm</op>
  <ab/>
  <la/>
  <k1>Bricks [clay material];
                Masonry;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225161/files/A_Dean_31.tif;
	https://rdc.reed.edu/record/225161/files/A_Dean_31.hocr;
	https://rdc.reed.edu/record/225161/files/A_Dean_31.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <t1>Contoured outcrops</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Bricks [clay material];
                Masonry;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224011/files/A_Dean_07.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Saksaywaman</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Inca;
                Ruins;
                Citadels;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207648/files/A_140727.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Inka Roqa</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207652/files/A_140731.tif;
	https://rdc.reed.edu/record/207652/files/A_140731.hocr;
	https://rdc.reed.edu/record/207652/files/A_140731.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Murúa, Martín de [Spanish author, 1525-1613]</a1>
  <t1>Historia y Genealogía de Los Reyes Incas del Perú</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1/>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207634/files/A_140713.tif;
	https://rdc.reed.edu/record/207634/files/A_140713.hocr;
	https://rdc.reed.edu/record/207634/files/A_140713.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Martíín de Murúa [Spanish author, historian, died ca. 1613]</a1>
  <t1>Apachita</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Offerings;
                Bricks [clay material];
                Masonry;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224036/files/A_Dean_32.tif;
	https://rdc.reed.edu/record/224036/files/A_Dean_32.hocr;
	https://rdc.reed.edu/record/224036/files/A_Dean_32.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca carver</a1>
  <t1>Carved monolith</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut architecture;
                Stone carving;
                Inca;
                Architectural sculpture;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225152/files/A_Dean_08.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Ollantaytambo</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207658/files/A_140737.tif;
	https://rdc.reed.edu/record/207658/files/A_140737.hocr;
	https://rdc.reed.edu/record/207658/files/A_140737.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Machu Picchu</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Stonework;
                Abandoned cities;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207653/files/A_140732.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Cieza de León, Pedro [Peruvian chronicler c. 1520-1554]</a1>
  <t1>Indians worshiping a stone as god</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Name of God;
                Indians;
                Worship;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224005/files/A_Dean_01.tif;
	https://rdc.reed.edu/record/224005/files/A_Dean_01.hocr;
	https://rdc.reed.edu/record/224005/files/A_Dean_01.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Machu Picchu</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Stonework;
                Abandoned cities;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207639/files/A_140718.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Martín de Murúa [Spanish author, historian, died ca. 1613]</a1>
  <t1>Historia y genealogía de los reyes incas del Perú</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>height: 30 cm</op>
  <ab/>
  <la/>
  <k1>Rope;
                Inca;
                Offerings;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225160/files/A_Dean_30.tif;
	https://rdc.reed.edu/record/225160/files/A_Dean_30.hocr;
	https://rdc.reed.edu/record/225160/files/A_Dean_30.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Murúa, Martín de [Spanish author, 1525-1613]</a1>
  <t1>Historia y Genealogía de Los Reyes Incas del Perú</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1/>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207630/files/A_140709.tif;
	https://rdc.reed.edu/record/207630/files/A_140709.hocr;
	https://rdc.reed.edu/record/207630/files/A_140709.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Carved monolith</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut architecture;
                Stone carving;
                Inca;
                Architectural sculpture;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224012/files/A_Dean_08.tif;
	https://rdc.reed.edu/record/224012/files/A_Dean_08.hocr;
	https://rdc.reed.edu/record/224012/files/A_Dean_08.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Písac</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Contour;
                Masonry;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207627/files/A_140705.tif;
	https://rdc.reed.edu/record/207627/files/A_140705.hocr;
	https://rdc.reed.edu/record/207627/files/A_140705.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Poma de Ayala, Felipe Guamán [Peruvian author and illustrator, ca.1526-ca.1615]</a1>
  <t1>El Primer Nueva Corónica y Buen Gobierno</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207573/files/A_140690.tif;
	https://rdc.reed.edu/record/207573/files/A_140690.hocr;
	https://rdc.reed.edu/record/207573/files/A_140690.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Paqcha or channel for liquid offerings</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut architecture;
                Stone carving;
                Inca;
                Architectural sculpture;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224013/files/A_Dean_09.tif;
	https://rdc.reed.edu/record/224013/files/A_Dean_09.hocr;
	https://rdc.reed.edu/record/224013/files/A_Dean_09.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Royal Mausoleum</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut architecture;
                Tombs;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224025/files/A_Dean_21.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Saywite</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Monoliths;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207628/files/A_140706.tif;
	https://rdc.reed.edu/record/207628/files/A_140706.hocr;
	https://rdc.reed.edu/record/207628/files/A_140706.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Kenko Grande</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Altars;
                Stone carving;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207629/files/A_140707.tif;
	https://rdc.reed.edu/record/207629/files/A_140707.hocr;
	https://rdc.reed.edu/record/207629/files/A_140707.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Santa Cruz Pachacuti Yamqui Salcamayhua, Juan de [Peruvian chronicler, active ca. 1613]</a1>
  <t1>Ancestral caves</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Indigenous peoples;
                Documentation [activity];
                Incas;
                Caves;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224010/files/A_Dean_06.tif;
	https://rdc.reed.edu/record/224010/files/A_Dean_06.hocr;
	https://rdc.reed.edu/record/224010/files/A_Dean_06.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Murúa, Martín de [Spanish author, historian, died ca. 1613]</a1>
  <t1>Saywa</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Bricks [clay material];
                Mountains;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224017/files/A_Dean_13.tif;
	https://rdc.reed.edu/record/224017/files/A_Dean_13.hocr;
	https://rdc.reed.edu/record/224017/files/A_Dean_13.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Poma de Ayala, Felipe Guamán [Peruvian author and illustrator, ca. 1526-ca. 1615]</a1>
  <t1>El primer nueva corónica y buen gobierno</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rope;
                Inca;
                Offerings;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225159/files/A_Dean_29.tif;
	https://rdc.reed.edu/record/225159/files/A_Dean_29.hocr;
	https://rdc.reed.edu/record/225159/files/A_Dean_29.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Third stone of Iniwatana, Saywite</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut architecture;
                Stone carving;
                Inca;
                Architectural sculpture;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224018/files/A_Dean_14.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Machu Picchu</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Stonework;
                Abandoned cities;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207659/files/A_140738.tif;
	https://rdc.reed.edu/record/207659/files/A_140738.hocr;
	https://rdc.reed.edu/record/207659/files/A_140738.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Saywite</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Monoliths;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207637/files/A_140716.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Intinkala</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207650/files/A_140729.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Machu Picchu</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Stonework;
                Abandoned cities;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207643/files/A_140722.tif;
	https://rdc.reed.edu/record/207643/files/A_140722.hocr;
	https://rdc.reed.edu/record/207643/files/A_140722.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Peruvian photographer</a1>
  <t1>Carved monolith</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Monoliths;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224020/files/A_Dean_16.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Poma de Ayala, Felipe Guamán [Peruvian author and illustrator, ca.1526-ca.1615]</a1>
  <t1>El Primer Nueva Corónica y Buen Gobierno</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207633/files/A_140712.tif;
	https://rdc.reed.edu/record/207633/files/A_140712.hocr;
	https://rdc.reed.edu/record/207633/files/A_140712.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Quillarumiyoc</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207642/files/A_140721.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Martíín de Murúa [Spanish author, historian, died ca. 1613]</a1>
  <t1>Apachita</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Bricks [clay material];
                Masonry;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224035/files/A_Dean_31.tif;
	https://rdc.reed.edu/record/224035/files/A_Dean_31.hocr;
	https://rdc.reed.edu/record/224035/files/A_Dean_31.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Masonry with Protuberances</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut architecture;
                Masonry;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224030/files/A_Dean_26.tif;
	https://rdc.reed.edu/record/224030/files/A_Dean_26.hocr;
	https://rdc.reed.edu/record/224030/files/A_Dean_26.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Temple of the Condor</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Temples;
                Rock-cut sculpture;
                Masonry;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224032/files/A_Dean_28.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Curvilinear terracing</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut architecture;
                Ruins;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224029/files/A_Dean_25.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Outcrop integrated into a masonry wall</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Bricks [clay material];
                Masonry;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224007/files/A_Dean_03.tif;
	https://rdc.reed.edu/record/224007/files/A_Dean_03.hocr;
	https://rdc.reed.edu/record/224007/files/A_Dean_03.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Saksaywaman</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Citadels;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207657/files/A_140736.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Wiñay Wayna</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207647/files/A_140726.tif;
	https://rdc.reed.edu/record/207647/files/A_140726.hocr;
	https://rdc.reed.edu/record/207647/files/A_140726.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Poma de Ayala, Felipe Guamán [Peruvian author and illustrator, ca. 1526-ca. 1615]</a1>
  <t1>El primer nueva corónica y buen gobierno</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Stonework;
                Bricks [clay material];
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225153/files/A_Dean_12.tif;
	https://rdc.reed.edu/record/225153/files/A_Dean_12.hocr;
	https://rdc.reed.edu/record/225153/files/A_Dean_12.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Detail of abstract design carved into megalithic wall</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Incas;
                Masonary;
                Walls;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224008/files/A_Dean_04.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Martín de Murúa [Spanish author, historian, died ca. 1613]</a1>
  <t1>Historia y genealogía de los reyes incas del Perú</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>height: 30 cm</op>
  <ab/>
  <la/>
  <k1>Bricks [clay material];
                Masonry;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225162/files/A_Dean_32.tif;
	https://rdc.reed.edu/record/225162/files/A_Dean_32.hocr;
	https://rdc.reed.edu/record/225162/files/A_Dean_32.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Poma de Ayala, Felipe Guamán [Peruvian author and illustrator, ca.1526-ca.1615]</a1>
  <t1>El Primer Nueva Corónica y Buen Gobierno</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207649/files/A_140728.tif;
	https://rdc.reed.edu/record/207649/files/A_140728.hocr;
	https://rdc.reed.edu/record/207649/files/A_140728.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Machu Picchu</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Stonework;
                Abandoned cities;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207640/files/A_140719.tif;
	https://rdc.reed.edu/record/207640/files/A_140719.hocr;
	https://rdc.reed.edu/record/207640/files/A_140719.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Poma de Ayala, Felipe Guamán [Peruvian author and illustrator, ca.1526-ca.1615]</a1>
  <t1>El Primer Nueva Corónica y Buen Gobierno</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207631/files/A_140710.tif;
	https://rdc.reed.edu/record/207631/files/A_140710.hocr;
	https://rdc.reed.edu/record/207631/files/A_140710.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Tower, also known as the Temple of the Sun</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Inca;
                Stone carving;
                Citadels;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224022/files/A_Dean_18.tif;
	https://rdc.reed.edu/record/224022/files/A_Dean_18.hocr;
	https://rdc.reed.edu/record/224022/files/A_Dean_18.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Ollantaytambo</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207572/files/A_140689.tif;
	https://rdc.reed.edu/record/207572/files/A_140689.hocr;
	https://rdc.reed.edu/record/207572/files/A_140689.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Curvilinear terracing</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225158/files/A_Dean_25.tif;
	https://rdc.reed.edu/record/225158/files/A_Dean_25.hocr;
	https://rdc.reed.edu/record/225158/files/A_Dean_25.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Santa Cruz Pachacuti Yamqui Salcamaygua, Juan de  [Peruvian viceroyalty and author, active ca. 1550-1650]</a1>
  <t1>Relación de Antigüedades</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ancestors;
                Marginal illustrations;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/212625/files/P_143371.tif;
	https://rdc.reed.edu/record/212625/files/P_143371.hocr;
	https://rdc.reed.edu/record/212625/files/P_143371.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>So-called Puma Rock</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Monoliths;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224014/files/A_Dean_10.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown photographer</a1>
  <t1>Carved outcrop</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut sculpture;
                Stone carving;
                Inca;
                Rock-cut architecture;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224019/files/A_Dean_15.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Saksaywaman</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ruins;
                Citadels;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207646/files/A_140725.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca builder</a1>
  <t1>Saywite</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Monoliths;
                Stone carving;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/207641/files/A_140720.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Murúa, Martín de [Spanish author, historian, died ca. 1613]</a1>
  <t1>Chuquillanto and Acuytapra Transformed into Mountains</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Stonework;
                Mountains;
                Anthropomorphism;
                Inca;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/224015/files/A_Dean_11.tif;
	https://rdc.reed.edu/record/224015/files/A_Dean_11.hocr;
	https://rdc.reed.edu/record/224015/files/A_Dean_11.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Inca carver</a1>
  <t1>Third Stone or Intiwatana</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rock-cut architecture;
                Monoliths;
                Stone carving;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225155/files/A_Dean_14.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown carver</a1>
  <t1>Beeswax carved with broken ship on the top and 1679 markings</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>37 × 45 × 17 cm</op>
  <ab/>
  <la/>
  <k1>Candles;
                Ships;
                Shipwrecks;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225260/files/A_Hyman_04.tif;
	https://rdc.reed.edu/record/225260/files/A_Hyman_04.hocr;
	https://rdc.reed.edu/record/225260/files/A_Hyman_04.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Chinese artist</a1>
  <t1>Sea Sculpture</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>17 x 22 cm</op>
  <ab/>
  <la/>
  <k1>Chinese export porcelain;
                Seas;
                Shipwrecks;
                Trade;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225265/files/A_Hyman_12.tif;
	https://rdc.reed.edu/record/225265/files/A_Hyman_12.hocr;
	https://rdc.reed.edu/record/225265/files/A_Hyman_12.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Hirst, Damien [English sculptor, installation artist, and painter, born 1965]</a1>
  <t1>Cronus Devouring His Children</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>312.5 × 334.3 × 253.5 cm</op>
  <ab/>
  <la/>
  <k1>Cronus [Greek deity];
                Coral;
                Greek mythology;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225267/files/A_Hyman_14.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Pourbus, Frans, the younger [Flemish painter, 1569-1622]</a1>
  <t1>Portrait of Isabella Clara Eugenia, Regent of the Netherlands</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>42.6 x 33.6 cm</op>
  <ab/>
  <la/>
  <k1>Bust-length portraits;
                Portraits;
                Royalty [nobility];
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225262/files/A_Hyman_07.tif;
	https://rdc.reed.edu/record/225262/files/A_Hyman_07.hocr;
	https://rdc.reed.edu/record/225262/files/A_Hyman_07.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown creator</a1>
  <t1>Porcelain in Sherds</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Chinese export porcelain;
                Shipwrecks;
                Trade;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225591/files/A_Hyman_03.tif;
	https://rdc.reed.edu/record/225591/files/A_Hyman_03.hocr;
	https://rdc.reed.edu/record/225591/files/A_Hyman_03.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Monner, Alfred [American photographer, 1909-1998]</a1>
  <t1>The Beeswax Ship</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ships;
                Models [representations];
                Shipwrecks;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225263/files/A_Hyman_10.tif;
	https://rdc.reed.edu/record/225263/files/A_Hyman_10.hocr;
	https://rdc.reed.edu/record/225263/files/A_Hyman_10.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Vandergucht, Michael [Flemish engraver and illustrator, 1660-1725, active in England]</a1>
  <a1>Sloane, Hans [British physician, botanist, and collector, 1660-1753]</a1>
  <t1>A Voyage to the Islands Madera, Barbados, Nieves, S. Christophers and Jamaica</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>43.7 × 33.4 cm</op>
  <ab/>
  <la/>
  <k1>Jellyfish;
                Engravings [prints];
                Coral;
                Shipwrecks;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225268/files/A_Hyman_15.tif;
	https://rdc.reed.edu/record/225268/files/A_Hyman_15.hocr;
	https://rdc.reed.edu/record/225268/files/A_Hyman_15.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown creator</a1>
  <t1>Porcelain in Sherds</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>2.4 x 1.9 cm; 1.7 x 0.9 cm; 1.8 x 1.7 cm</op>
  <ab/>
  <la/>
  <k1>Chinese export porcelain;
                Shipwrecks;
                Trade;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225594/files/A_Hyman_09.tif;
	https://rdc.reed.edu/record/225594/files/A_Hyman_09.hocr;
	https://rdc.reed.edu/record/225594/files/A_Hyman_09.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Chinese ceramicist</a1>
  <t1>Porcelain Jar</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Chinese export porcelain;
                Seas;
                Shipwrecks;
                Trade;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225259/files/A_Hyman_02.tif;
	https://rdc.reed.edu/record/225259/files/A_Hyman_02.hocr;
	https://rdc.reed.edu/record/225259/files/A_Hyman_02.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown carver</a1>
  <t1>Wax block</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>33 x 52 cm</op>
  <ab/>
  <la/>
  <k1>Candles;
                Ships;
                Shipwrecks;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225592/files/A_Hyman_05.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Undocumented Spanish artist</a1>
  <t1>Cross</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Emerald [mineral];
                Shipwrecks;
                Crosses;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225261/files/A_Hyman_06.tif;
	https://rdc.reed.edu/record/225261/files/A_Hyman_06.hocr;
	https://rdc.reed.edu/record/225261/files/A_Hyman_06.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Osada, Frédéric [Spanish underwater photographer, active 2016]</a1>
  <t1>Cannon from the San Diego</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Spanish conquest;
                Cannons [artillery];
                Warships;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225264/files/A_Hyman_11.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Undocumented Spanish creator</a1>
  <t1>Crucifix</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>11.5 x 6.2 cm</op>
  <ab/>
  <la/>
  <k1>Saint Anthony of Padua;
                Shipwrecks;
                Crosses;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225593/files/A_Hyman_08.tif;
	https://rdc.reed.edu/record/225593/files/A_Hyman_08.hocr;
	https://rdc.reed.edu/record/225593/files/A_Hyman_08.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Hirst, Damien [English sculptor, installation artist, and painter, born 1965]</a1>
  <a1>Gerigk, Christoph [German photographer, active 1975-present]</a1>
  <t1>Hydra and Kali Discovered by Four Divers</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Hydra [Greek mythology];
                Kali [Hindu deity];
                Shipwrecks;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225266/files/A_Hyman_13.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Mazabrat, Arnaldus Alexander Durand Baro de [Spanish artist, active 1720]</a1>
  <t1>Hydroandric machine or underwater garment: external layer, used over the hole armour with hood, doublet, and inner iron breeches</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>41.5 × 28.2 cm</op>
  <ab/>
  <la/>
  <k1>Machines;
                Inventions;
                Suits;
                Seas;
                Shipwrecks;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/225258/files/A_Hyman_01.tif;
	https://rdc.reed.edu/record/225258/files/A_Hyman_01.hocr;
	https://rdc.reed.edu/record/225258/files/A_Hyman_01.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Humboldt, Alexander von [German mapmaker, 1769-1859]</a1>
  <t1>Geographie der Pflanzen in den Tropen-Ländern</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>67 x 95 cm</op>
  <ab/>
  <la/>
  <k1>Geography;
                Plants;
                Andes;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226723/files/A_Horn_01.tif;
	https://rdc.reed.edu/record/226723/files/A_Horn_01.hocr;
	https://rdc.reed.edu/record/226723/files/A_Horn_01.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Oppenheim, Dennis [American conceptual and performance artist, 1938-2011]</a1>
  <t1>Annual Rings</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>150 x 200 feet</op>
  <ab/>
  <la/>
  <k1>Expanded field;
                Rings;
                Borders [boundaries];
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/88592/files/A_Cheetham_02.tif;
	https://rdc.reed.edu/record/88592/files/P_970294.tif;
	https://rdc.reed.edu/record/88592/files/P_970294.hocr;
	https://rdc.reed.edu/record/88592/files/P_970294.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Wall, Jeff [Canadian photographer, born 1946]</a1>
  <t1>The Crooked Path</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>119 x 149 cm</op>
  <ab/>
  <la/>
  <k1>Warehouses;
                Footpaths;
                Fields [land];
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226810/files/A_Cheetham_01.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Koziara, Jarosław [Polish artist, born 1967]</a1>
  <t1>Unity Fish</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Borders;
                Fields;
                Fish;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226811/files/A_Cheetham_03.tif;
	https://rdc.reed.edu/record/226811/files/A_Cheetham_03.hocr;
	https://rdc.reed.edu/record/226811/files/A_Cheetham_03.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Rutkauskas, Andreas [Canadian photographer, active 2003]</a1>
  <t1>Chemin de la Frontière, Québec</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>132 x 165 cm</op>
  <ab/>
  <la/>
  <k1>Lines;
                Borders;
                Canada;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226812/files/A_Cheetham_05.tif;
	https://rdc.reed.edu/record/226812/files/A_Cheetham_05.hocr;
	https://rdc.reed.edu/record/226812/files/A_Cheetham_05.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Six Nations/Grand River Mohawk]</a1>
  <a1>Michelson, Alan [Native American installation artist, born 1953</a1>
  <t1>TwoRow II</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>duration: 13 minutes</op>
  <ab/>
  <la/>
  <k1>First Nations;
                Rivers;
                Pollution;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226813/files/A_Cheetham_06.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Niro, Shelley [Native American installation artist, painter, and sculptor, born 1954]</a1>
  <t1>Border Series — Treaties</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>81.3 x 155.6 cm</op>
  <ab/>
  <la/>
  <k1>First Nations;
                Hands;
                Rivers;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226814/files/A_Cheetham_07.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Chin, Mel [American sculptor and environmental artist, born 1951]</a1>
  <t1>Landscape</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Landscapes;
                Borders;
                Pollution;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226815/files/A_Cheetham_08.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Xu Bing [Chinese installation artist, born 1955]</a1>
  <t1>Background Story: Qiu Shan Xian Yi Tu</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Landscapes;
                Trash;
                Pollution;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226816/files/A_Cheetham_09.tif;
	https://rdc.reed.edu/record/226816/files/A_Cheetham_09.hocr;
	https://rdc.reed.edu/record/226816/files/A_Cheetham_09.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Lu, Yao [Chinese artist, born 1967]</a1>
  <t1>Ancient Springtime Fey</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>47.25 x 47.25 in</op>
  <ab/>
  <la/>
  <k1>Landscapes;
                Trash;
                Pollution;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226817/files/A_Cheetham_10.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Sonfist, Alan [American painter, sculptor, and environmental artist, born 1946]</a1>
  <t1>Crystal Monument</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>243.5 x 121.9 x 30.5 cm</op>
  <ab/>
  <la/>
  <k1>Crystals;
                Globes;
                Light;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226818/files/A_Cheetham_11.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Neudecker, Mariele [German sculptor, painter, and installation artist, born 1965]</a1>
  <t1>Dark Years Away</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>duration: 6 minutes</op>
  <ab/>
  <la/>
  <k1>Exploration and encounters;
                Oceans;
                Pollution;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226819/files/A_Cheetham_12.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Walde, Paul [American sound and visual artist, active 2007]</a1>
  <t1>Requiem for a Glacier</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>duration: 39 minutes</op>
  <ab/>
  <la/>
  <k1>Glaciers;
                Climate change;
                Symphony orchestras;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226820/files/A_Cheetham_13.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Hayeur, Isabelle [Canadian photographer, born 1969]</a1>
  <t1>Substances</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>116 x 107 cm</op>
  <ab/>
  <la/>
  <k1>Water;
                Aquatic plants;
                Pollution;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226821/files/A_Cheetham_14.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Hayeur, Isabelle [Canadian photographer, born 1969]</a1>
  <t1>Limulus</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>47 x 158 cm</op>
  <ab/>
  <la/>
  <k1>Waterfronts;
                Crabs;
                Beaches;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226822/files/A_Cheetham_15.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Turner, Joseph Mallord William [English painter and draftsman, 1775-1851]</a1>
  <t1>War: The Exile and the Rock Limpet</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>79.4 x 79.4 cm</op>
  <ab/>
  <la/>
  <k1>Napoleon I, Emperor of France [1769-1821];
                War;
                Limpets;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226823/files/A_Cheetham_16.tif;
	https://rdc.reed.edu/record/226823/files/A_Cheetham_16.hocr;
	https://rdc.reed.edu/record/226823/files/A_Cheetham_16.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Starling, Simon [English sculptor and installation artist, born 1967, active in Copenhagen]</a1>
  <t1>One Ton II</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Mines [extracting complexes];
                Geology;
                South African;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226824/files/A_Cheetham_17.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Sekula, Allan [American installation artist, photographer, and critic, 1951-2013]</a1>
  <a1>Burch, Noël [American film-maker, born 1932]</a1>
  <t1>The Forgotten Space: Aereile Jackson, Tent City, Los Angeles</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ports;
                Wigs;
                Dolls [toys];
                Ships;
                Mothers;
                Sailors;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226825/files/A_Sharpe_01.tif;
	https://rdc.reed.edu/record/226825/files/A_Sharpe_01.hocr;
	https://rdc.reed.edu/record/226825/files/A_Sharpe_01.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Burch, Noël [American film-maker, born 1932]</a1>
  <a1>Varga, Darrell [Canadian filmmaker and professor, active 2005]</a1>
  <a1>Sekula, Allan [American installation artist, photographer, and critic,1951-2013]</a1>
  <t1>Publicity Still in Aereile Jackson in Making Political Cinema</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Filmmakers;
                Advertisements;
                Colonialism;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226826/files/A_Sharpe_02.tif;
	https://rdc.reed.edu/record/226826/files/A_Sharpe_02.hocr;
	https://rdc.reed.edu/record/226826/files/A_Sharpe_02.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Raedle, Joe [American photographer, active 1987]</a1>
  <t1>Haiti struggles for aid and survival after earthquake</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ships;
                Disasters;
                Children;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226827/files/A_Sharpe_03.tif;
	https://rdc.reed.edu/record/226827/files/A_Sharpe_03.hocr;
	https://rdc.reed.edu/record/226827/files/A_Sharpe_03.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Langevin, Jacques [French photographer, 1953-]</a1>
  <t1>Haitian boat people</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ships;
                Disasters;
                Children;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226828/files/A_Sharpe_04.tif;
	https://rdc.reed.edu/record/226828/files/A_Sharpe_04.hocr;
	https://rdc.reed.edu/record/226828/files/A_Sharpe_04.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown British printer</a1>
  <t1>Stowage of the British slave ship "Brookes" under the Regulated Slave Trade Act</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>48 x 40 cm</op>
  <ab/>
  <la/>
  <k1>Enslavers;
                Enslaved persons;
                Africans;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226829/files/A_Sharpe_05.tif;
	https://rdc.reed.edu/record/226829/files/A_Sharpe_05.hocr;
	https://rdc.reed.edu/record/226829/files/A_Sharpe_05.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Leon, Rodney [American architect, contemporary]</a1>
  <t1>Memorial on the legacy of slavery</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Abolitionism;
                Slave trade;
                Memorials [monuments];
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226830/files/A_Sharpe_06.tif;
	https://rdc.reed.edu/record/226830/files/A_Sharpe_06.hocr;
	https://rdc.reed.edu/record/226830/files/A_Sharpe_06.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Villarreal, Candace [American US Navy photographer, active 2009]</a1>
  <t1>Operation Unified Response</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Cargo vessels;
                Rescues;
                Refugees;
                Migration;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226831/files/A_Sharpe_08.tif;
	https://rdc.reed.edu/record/226831/files/A_Sharpe_08.hocr;
	https://rdc.reed.edu/record/226831/files/A_Sharpe_08.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Carrilho, André [Portuguese designer, illustrator, caricaturist, and animator, born 1974]</a1>
  <t1>Ebola Cartoon</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Interviews;
                Beds [furniture];
                Disease;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226832/files/A_Sharpe_09.tif;
	https://rdc.reed.edu/record/226832/files/A_Sharpe_09.hocr;
	https://rdc.reed.edu/record/226832/files/A_Sharpe_09.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Locke, Hew [British sculptor, born 1959]</a1>
  <t1>For Those in Peril on the Sea</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Ships;
                Globalization;
                Boats;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226833/files/A_Sharpe_10.tif;
	https://rdc.reed.edu/record/226833/files/A_Sharpe_10.hocr;
	https://rdc.reed.edu/record/226833/files/A_Sharpe_10.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Hazoumé, Romuald [Beninese painter and installation artist, born 1962]</a1>
  <t1>Lampédouzeans</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>220 x 360 x 380 cm</op>
  <ab/>
  <la/>
  <k1>Sand;
                Fish;
                Mediterranean Sea;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226834/files/A_Sharpe_11.tif;
	https://rdc.reed.edu/record/226834/files/A_Sharpe_11.hocr;
	https://rdc.reed.edu/record/226834/files/A_Sharpe_11.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Gaines, Charles [American conceptual artist, born 1944]</a1>
  <t1>Renderings of Moving Chains</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Pedestrians;
                Rivers;
                Public spaces;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226835/files/A_Sharpe_12.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Eakins, Thomas [American painter, photographer, and sculptor, 1844-1916]</a1>
  <t1>William Rush Carving His Allegorical Figure of the Schuylkill River</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>51.12 x 66.36 cm</op>
  <ab/>
  <la/>
  <k1>Woodcarving;
                Women;
                Philadelphia, Pennsylvania;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/119603/files/A_40872.tif;
	https://rdc.reed.edu/record/119603/files/P_100319.tif;
	https://rdc.reed.edu/record/119603/files/A_40872.hocr;
	https://rdc.reed.edu/record/119603/files/A_40872.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Banerjee, Subhankar [Indian, photograher, writer, conservationalist, 1997-present]</a1>
  <t1>Exposed Coffin</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>59 x 74 in</op>
  <ab/>
  <la/>
  <k1>Beachfront;
                Human remains;
                Coffins;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226836/files/A_Braddock_02.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Attributed to Thackway, Richard [Australian professor, active 1985]; Cresswell, Ian [Australian professor, active 1985]</a1>
  <t1>Four sites of significant botanical diversity in the Southwestof Western Australia</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Biology;
                Forests;
                National parks;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226837/files/A_Ryan_01.tif;
	https://rdc.reed.edu/record/226837/files/A_Ryan_01.hocr;
	https://rdc.reed.edu/record/226837/files/A_Ryan_01.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Monet, Claude [French painter, 1840-1926]</a1>
  <t1>Impression, Sun Rising</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Smoke;
                Industrial revolution;
                Environmentalism;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226838/files/A_Mirzoeff_01.tif;
	https://rdc.reed.edu/record/226838/files/A_Mirzoeff_01.hocr;
	https://rdc.reed.edu/record/226838/files/A_Mirzoeff_01.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Monet, Claude [French painter, 1840-1926]</a1>
  <t1>Unloading Coal</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>21.2 × 25.9 in</op>
  <ab/>
  <la/>
  <k1>Smoke;
                Consumption [economics];
                Bridges;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226839/files/A_Mirzoeff_02.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Bellows, George [American painter and lithographer, 1882-1925]</a1>
  <t1>Forty-two Kids</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>42 X 60.25 in</op>
  <ab/>
  <la/>
  <k1>Water pollution;
                East River [New York City];
                Harbors;
                Dead animals;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226840/files/A_Mirzoeff_03.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown British cartographer</a1>
  <t1>Carbon and Mortality Map</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Consumption [economics];
                Climate change;
                Colonialism;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226841/files/A_Mirzoeff_04.tif;
	https://rdc.reed.edu/record/226841/files/A_Mirzoeff_04.hocr;
	https://rdc.reed.edu/record/226841/files/A_Mirzoeff_04.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Lentz, David L. [American biologist and professor, active 2006]</a1>
  <t1>Mahtab Bagh</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Stratigraphy;
                Grass [plant material];
                Earth [soil];
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226842/files/A_Lentz_01.tif;
	https://rdc.reed.edu/record/226842/files/A_Lentz_01.hocr;
	https://rdc.reed.edu/record/226842/files/A_Lentz_01.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Lentz, David L. [American biologist and professor, active 2006]</a1>
  <t1>The laswora tree</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Rope;
                Wood;
                Bark [plant material];
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226843/files/A_Lentz_02.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Lentz, David L. [American biologist and professor, active 2006]</a1>
  <t1>A sugar palm</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Trees;
                Wood;
                Bark [plant material];
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226844/files/A_Lentz_03.tif;
	https://rdc.reed.edu/record/226844/files/A_Lentz_03.hocr;
	https://rdc.reed.edu/record/226844/files/A_Lentz_03.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown American illustrator</a1>
  <t1>Botanical Illustrations of a bayan tree</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Nature;
                Leaves;
                Plants;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226845/files/A_Lentz_04.tif;
	https://rdc.reed.edu/record/226845/files/A_Lentz_04.hocr;
	https://rdc.reed.edu/record/226845/files/A_Lentz_04.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown American illustrator</a1>
  <t1>Botanical Illustrations of a jujube tree</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Nature;
                Leaves;
                Plants;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226846/files/A_Lentz_05.tif;
	https://rdc.reed.edu/record/226846/files/A_Lentz_05.hocr;
	https://rdc.reed.edu/record/226846/files/A_Lentz_05.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown American illustrator</a1>
  <t1>Botanical Illustrations of cypress</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Nature;
                Trees;
                Plants;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226847/files/A_Lentz_06.tif;
	https://rdc.reed.edu/record/226847/files/A_Lentz_06.hocr;
	https://rdc.reed.edu/record/226847/files/A_Lentz_06.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown American illustrator</a1>
  <t1>Botanical Illustrations of a champa tree</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Nature;
                Trees;
                Leaves;
                Plants;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226848/files/A_Lentz_07.tif;
	https://rdc.reed.edu/record/226848/files/A_Lentz_07.hocr;
	https://rdc.reed.edu/record/226848/files/A_Lentz_07.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown American illustrator</a1>
  <t1>Botanical illustration of a cockscomb plant</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Nature;
                Leaves;
                Plants;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226849/files/A_Lentz_08.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Greentree, Neil [Australian photographer, active 1960]</a1>
  <t1>Lotus carved pool</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Architecture [discipline];
                Cultural landscapes;
                Gardens;
                Natural landscapes;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226850/files/A_Lentz_09.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Greentree, Neil [Australian photographer, active 1960]</a1>
  <t1>A representation [cut-stone inlaid in marble] of a lotus flower at the Taj Mahal</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Nature;
                Flowers;
                Lotus;
                Marble;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226851/files/A_Lentz_10.tif;
	https://rdc.reed.edu/record/226851/files/A_Lentz_10.hocr;
	https://rdc.reed.edu/record/226851/files/A_Lentz_10.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Lentz, David L. [American biologist and professor, active 2006]</a1>
  <t1>The sacred lotus flower (Nelumbo nucifera Gaert</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Nature;
                Flowers;
                Leaves;
                Plants;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226852/files/A_Lentz_11.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Sestini, Massimo [Italian photographer, born 1963]</a1>
  <t1>Mare Nostrum</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Cargo vessels;
                Rescues;
                Refugees;
                Migration;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226853/files/A_Sharpe_07.jpg;
	https://rdc.reed.edu/record/226853/files/P_Sharpe_07.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Just Stop Oil [British environmental activist organization, active 2022]</a1>
  <a1>Gogh, Vincent van [Dutch painter and draftsman, 1853-1890]</a1>
  <t1>Just Stop Oil: Sunflowers</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Canned foods;
                Activists;
                Climate change;
                Environmental art;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226854/files/A_Just%20Stop%20Oil_Sunflowers.tif;
	https://rdc.reed.edu/record/226854/files/A_Just%20Stop%20Oil_Sunflowers.hocr;
	https://rdc.reed.edu/record/226854/files/A_Just%20Stop%20Oil_Sunflowers.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Riposte Alimentaire [French environmental activist organization, active 2022]</a1>
  <a1>Leonardo da Vinci [Italian painter, draftsman, scientist, 1452-1519]</a1>
  <t1>Riposte Alimentaire: Soupe Joconde</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Canned foods;
                Activists;
                Climate change;
                Environmental art;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226855/files/A_Riposte_Mona%20Lisa.tif;
	https://rdc.reed.edu/record/226855/files/A_Riposte_Mona%20Lisa.hocr;
	https://rdc.reed.edu/record/226855/files/A_Riposte_Mona%20Lisa.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Just Stop Oil [British environmental activist organization, active 2022]</a1>
  <a1>Attributed to Buus, Kristian [Danish photographer, active 2000]</a1>
  <a1>Velázquez, Diego [Spanish painter, 1599-1660]</a1>
  <t1>Just Stop Oil: Rokeby Venus</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Activists;
                Hammers [tools];
                Climate change;
                Environmental art;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226856/files/A_DSC06365.tif;
	https://rdc.reed.edu/record/226856/files/A_DSC06365.hocr;
	https://rdc.reed.edu/record/226856/files/A_DSC06365.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Agence France-Presse [French news agency, 1944]</a1>
  <a1>Attributed to Haksar, Sharad [Indian photographer, born 1970]</a1>
  <t1>Thirsty</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Water carriers;
                Billboards;
                Water pumps;
                Water;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226857/files/A_GettyImages-53251619.tif;
	https://rdc.reed.edu/record/226857/files/A_GettyImages-53251619.hocr;
	https://rdc.reed.edu/record/226857/files/A_GettyImages-53251619.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Marley, Christopher [American artist, born 1969]</a1>
  <t1>Pelican Tryptic</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Preservation;
                Taxidermy;
                Pelicans;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226858/files/A_Marley_01.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Marley, Christopher [American artist, born 1969]</a1>
  <t1>Preserved Octopus</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Preservation;
                Taxidermy;
                Octopuses;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226859/files/A_Marley_02.tif;
	https://rdc.reed.edu/record/226859/files/A_Marley_02.hocr;
	https://rdc.reed.edu/record/226859/files/A_Marley_02.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Marley, Christopher [American artist, born 1969]</a1>
  <t1>Bugs</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Preservation;
                Butterflies;
                Bugs [insects];
                Taxidermy;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226860/files/A_Marley_03.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Marley, Christopher [American artist, born 1969]</a1>
  <t1>Crabs</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Preservation;
                Taxidermy;
                Crustacea [subphylum];
                Crabs;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226861/files/A_Marley_04.tif;
	https://rdc.reed.edu/record/226861/files/A_Marley_04.hocr;
	https://rdc.reed.edu/record/226861/files/A_Marley_04.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Marley, Christopher [American artist, born 1969]</a1>
  <t1>Bugs</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Preservation;
                Butterflies;
                Bugs [insects];
                Taxidermy;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226862/files/A_Marley_05.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Marley, Christopher [American artist, born 1969]</a1>
  <t1>Bugs</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Preservation;
                Butterflies;
                Bugs [insects];
                Taxidermy;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226863/files/A_Marley_06.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Marley, Christopher [American artist, born 1969]</a1>
  <t1>Beatles</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Preservation;
                Taxidermy;
                Bugs [insects];
                Beatles;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226864/files/A_Marley_07.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Marley, Christopher [American artist, born 1969]</a1>
  <t1>Fish</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Preservation;
                Taxidermy;
                Fish;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226865/files/A_Marley_08.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Marley, Christopher [American artist, born 1969]</a1>
  <t1>Parrot</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Preservation;
                Taxidermy;
                Parrots;
                Birds;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226866/files/A_Marley_09.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Tenniel, John [English painter and illustrator, 1820-1914]</a1>
  <a1>Attributed to Carroll, Lewis [English author, mathematician, and photographer, 1832-1898]</a1>
  <t1>Alice and the Dodo</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Dodos;
                Birds;
                English literature;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226867/files/A_c13341-84.tif;
	https://rdc.reed.edu/record/226867/files/A_c13341-84.hocr;
	https://rdc.reed.edu/record/226867/files/A_c13341-84.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Rubens, Peter Paul [Flemish painter, 1577-1640]</a1>
  <t1>The Annunciation</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Saint Mary, Blessed Virgin;
                Angels;
                Saint Mary, Blessed Virgin -- Annunciation;
                Heaven;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226873/files/A_The_Annunciation.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Barocci, Federico [Italian painter, 1528-1612]</a1>
  <t1>The Annunciation</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>44.1 × 31.2 cm</op>
  <ab/>
  <la/>
  <k1>Saint Mary, Blessed Virgin;
                Angels;
                Saint Mary, Blessed Virgin -- Annunciation;
                Heaven;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226871/files/A_MM8399.tif;
	https://rdc.reed.edu/record/226871/files/A_MM8399.hocr;
	https://rdc.reed.edu/record/226871/files/A_MM8399.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Barocci, Federico [Italian painter, 1528-1612]</a1>
  <t1>The Annunciation</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Saint Mary, Blessed Virgin;
                Angels;
                Saint Mary, Blessed Virgin -- Annunciation;
                Heaven;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226872/files/A_MMRBKT.tif;
	https://rdc.reed.edu/record/226872/files/A_MMRBKT.hocr;
	https://rdc.reed.edu/record/226872/files/A_MMRBKT.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Alternatively known as Teniers, David, II [Flemish painter, 1610-1690]; Teniers, David, The Younger [Flemish painter, 1610-1690]</a1>
  <a1>Teniers, David [Flemish painter, 1610-1690]</a1>
  <t1>Cat Tended to by an Old Woman</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Moral lessons;
                Elders;
                Cats;
                Fleas;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226869/files/A_BAL_23140.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Carracci, Annibale [Italian painter, 1560-1609]</a1>
  <t1>Two Children Teasing a Cat</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>26 x 35 in</op>
  <ab/>
  <la/>
  <k1>Scorpions [insects];
                Cats;
                Children;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226870/files/A_DP243404.tif;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Lanfranco, Giovanni [Italian painter, 1582-1647]</a1>
  <t1>Young Man Lying on a Bed with a Cat</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>160 x 113 cm</op>
  <ab/>
  <la/>
  <k1>Bedspreads;
                Cats;
                Nudity;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226868/files/A_2SB7NX3.tif;
	https://rdc.reed.edu/record/226868/files/A_2SB7NX3.hocr;
	https://rdc.reed.edu/record/226868/files/A_2SB7NX3.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Tulsi Kalan [Indian miniaturist, active ca. 1560-1600]</a1>
  <a1>Bhawani [Indian painter, active ca. 1560-1600]</a1>
  <t1>The building of Fatehpur Sikri</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>32.7 x 9.5 cm</op>
  <ab/>
  <la/>
  <k1>Manuscripts;
                Buildings [structures];
                Elephants;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226879/files/A_021325_Tulsi.tif;
	https://rdc.reed.edu/record/226879/files/A_021325_Tulsi.hocr;
	https://rdc.reed.edu/record/226879/files/A_021325_Tulsi.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Bishan Das [Indian painter, active 1590]</a1>
  <a1>Nanha [Indian miniaturist, active ca. 1582-1635]</a1>
  <t1>Babur supervising the laying out of the Garden of Fidelity</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>22.2 x 13.8 cm</op>
  <ab/>
  <la/>
  <k1>Gardens;
                Horses;
                Birds;
                Manuscripts;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226874/files/A_021325_Babur.tif;
	https://rdc.reed.edu/record/226874/files/A_021325_Babur.hocr;
	https://rdc.reed.edu/record/226874/files/A_021325_Babur.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Bishan Das [Indian painter, active 1590]</a1>
  <a1>Nanha [Indian miniaturist, active ca. 1582-1635]</a1>
  <t1>Babur supervising the laying out of the Garden of Fidelity</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>22.2 x 13.8 cm</op>
  <ab/>
  <la/>
  <k1>Gardens;
                Horses;
                Birds;
                Manuscripts;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226875/files/A_021325_Babur2.tif;
	https://rdc.reed.edu/record/226875/files/A_021325_Babur2.hocr;
	https://rdc.reed.edu/record/226875/files/A_021325_Babur2.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Indian artist</a1>
  <t1>Shah-Jahan hunting</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>32.8 x 21.6 cm</op>
  <ab/>
  <la/>
  <k1>Deer;
                Manuscripts;
                Hunters;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226877/files/A_021325_Padshahnamah.tif;
	https://rdc.reed.edu/record/226877/files/A_021325_Padshahnamah.hocr;
	https://rdc.reed.edu/record/226877/files/A_021325_Padshahnamah.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Unknown Indian artist</a1>
  <t1>Bird's Eye View of the Taj Mahal at Agra</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op>52.8 x 34.4 cm</op>
  <ab/>
  <la/>
  <k1>India;
                Gardens;
                Buildings [structures];
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226878/files/A_021325_Taj.tif;
	https://rdc.reed.edu/record/226878/files/A_021325_Taj.hocr;
	https://rdc.reed.edu/record/226878/files/A_021325_Taj.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Bauer, Franz Andreas [Austrian painter, 1758-1840]</a1>
  <a1>Lindley, John [English botanist and orchidologist, 1799-1865]</a1>
  <t1>Illustrations of Orchidaceous Plants</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Botanical illustrations;
                Orchids;
                Flowers;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226876/files/A_021325_Orchid.tif;
	https://rdc.reed.edu/record/226876/files/A_021325_Orchid.hocr;
	https://rdc.reed.edu/record/226876/files/A_021325_Orchid.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Banerjee, Subhankar [Indian photographer, born 1967, active in the United States]</a1>
  <t1>East Fork, Chandalar River</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Documentary photography;
                Autumn;
                Alaska;
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/226880/files/A_021725_Chandala.tif;
	https://rdc.reed.edu/record/226880/files/A_021725_Chandala.hocr;
	https://rdc.reed.edu/record/226880/files/A_021725_Chandala.txt;
	</ul>
</reference>

<reference>
  <rt/>
  <a1>Gary, Ja'Tovia [American artist and filmmaker, born 1984]</a1>
  <t1>The Giverny Suite</t1>
  <ot/>
  <jf/>
  <sn/>
  <do/>
  <vo/>
  <is/>
  <sp/>
  <op/>
  <ab/>
  <la/>
  <k1>Oceans;
                Altars;
                Fertility [allegory];
                </k1>
  <pb/>
  <pp/>
  <yr/>
  <ed/>
  <ul>https://rdc.reed.edu/record/227149/files/A_AR6204420.jpg;
	</ul>
</reference>


</references>