218184 20260413125636.0 f23b683c-e419-43ea-81e9-5a6ca10ad1f0 DA Data Portraits ca. 1890-1900 [creation date] 1890 1900 ca. 22 x 28 inches ink and watercolor on board Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © 2015 The W. E. B. Du Bois Center 149431.tif Harlem Renaissance Charts [graphic documents] African Americans Humanities 110 King, Nathalia American Nineteenth Century 19th Century CE Charts, Graphs and Diagrams Du Bois, W. E. B. [American sociologist, author, writer and editor, 1868-1963] Du Bois, W. E. B. W.E.B. Du Bois's data portraits : visualizing Black America : the color line at the turn of the twentieth century. Princeton AP, 2018. Sourced From Library of Congress, Washington, District of Columbia, United States [repository] https://rdc.reed.edu/record/218184/files/P_149431.tif preservation 46705b7b-9213-429d-afe5-fac71b781733 55151532 https://rdc.reed.edu/record/218184/files/P_149431.hocr c2050de8-919e-47d3-8cf7-6db95d0c7d8c 15067 https://rdc.reed.edu/record/218184/files/P_149431.txt dd770283-c45e-41f6-996a-339e3563341c 222 663580 sbavier Art & Architecture 218185 20260413125636.0 cd4c9596-2906-4c0d-930c-cc62028705f0 DA Migration of Negroes 1890 [creation date] 1890 ca. 22 x 28 inches ink and watercolor on board Present dwelling place of Negroes born in Georgia [top]. Birth place of Negroes now resident in Georgia [bottom]. Plate 8 : Two multicolored maps of the United States vibrate with a rainbow of states rendered in blocks of solid hues, tints, and shades. Only the state of Georgia stands in a rich black with stark type to emphasize its importance in the study. Every other state is overlaid with numerical indices that notate the movement of African Americans between states. Delicate arrows document patterns of migration away from former slave states and anticipate the magnetism of progressive urban cores to blacks in the later Great Migration. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © 2015 The W. E. B. Du Bois Center 149432.tif Harlem Renaissance Charts [graphic documents] African Americans Humanities 110 King, Nathalia American Nineteenth Century 19th Century CE Charts, Graphs and Diagrams Du Bois, W. E. B. [American sociologist, author, writer and editor, 1868-1963] Du Bois, W. E. B. W.E.B. Du Bois's data portraits : visualizing Black America : the color line at the turn of the twentieth century. Princeton AP, 2018. Sourced From Library of Congress, Washington, District of Columbia, United States [repository] https://rdc.reed.edu/record/218185/files/P_149432.tif preservation 8a7fef1e-012e-46de-8b07-23267c3e4480 59936236 https://rdc.reed.edu/record/218185/files/P_149432.hocr bed492a9-ded8-4150-bcbb-f785e05ae398 17451 https://rdc.reed.edu/record/218185/files/P_149432.txt d11f5ec1-92c2-41e1-9f9b-842200b79168 405 663581 sbavier Art & Architecture 218186 20260413125636.0 05311a14-31a5-45f7-8748-32b1305e2ece DA City and Rural Population 1890 [creation date] 1890 ca. 22 x 28 inches ink and watercolor on board Plate 11 : Part bar chart, part line chart, and part spiral graph, this visualization defies categorization. The text paired with each segment reads more like a narrative than a typical key. Its tricolor palette and fragmentary construction make for a memorable, and experimental, presentation of data. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © 2015 The W. E. B. Du Bois Center 149434.tif Harlem Renaissance Charts [graphic documents] African Americans Humanities 110 King, Nathalia American Nineteenth Century 19th Century CE Charts, Graphs and Diagrams Du Bois, W. E. B. [American sociologist, author, writer and editor, 1868-1963] Du Bois, W. E. B. W.E.B. Du Bois's data portraits : visualizing Black America : the color line at the turn of the twentieth century. Princeton AP, 2018. Sourced From Library of Congress, Washington, District of Columbia, United States [repository] https://rdc.reed.edu/record/218186/files/P_149434.tif preservation 390476f3-04a9-43a4-8694-2c7a689a18d8 59769280 https://rdc.reed.edu/record/218186/files/P_149434.hocr 86b236b4-c49d-411e-a296-f2ff907cded9 5434 https://rdc.reed.edu/record/218186/files/P_149434.txt 7323864b-a17c-40bd-969d-26ff813b1801 200 663582 sbavier Art & Architecture 218187 20260413125636.0 3ffc1c90-c527-413f-8681-955a2a1252d8 DA Negro Teachers in Georgia Public Schools ca. 1890-1900 [creation date] 1890 1900 ca. 22 x 28 inches ink and watercolor on board Plate 16 : No chart in the entire set is as graphically simple as this one: four monochromatic circles float in a solitary column, each slightly larger than the previous one. There is no key, just two sets of numbers. The number below the circle represents the year that the data was measured, and the number inside the circle represents the number of black teachers in Georgia public schools that year. This is one of three rare moments in the infographics when both the shape and the typography appear in color. The overall result reinforces the designers’ interest in representing an exhaustive amount of information in an efficient and elegant way. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © 2015 The W. E. B. Du Bois Center 149435.tif Harlem Renaissance Charts [graphic documents] African Americans Humanities 110 King, Nathalia American Nineteenth Century 19th Century CE Charts, Graphs and Diagrams Du Bois, W. E. B. [American sociologist, author, writer and editor, 1868-1963] Du Bois, W. E. B. W.E.B. Du Bois's data portraits : visualizing Black America : the color line at the turn of the twentieth century. Princeton AP, 2018. Sourced From Library of Congress, Washington, District of Columbia, United States [repository] https://rdc.reed.edu/record/218187/files/P_149435.tif preservation c69f58b8-3fad-4198-aa95-d0f7b4905f86 59739260 https://rdc.reed.edu/record/218187/files/P_149435.hocr 76bf90f8-8d46-4b0b-8199-32fd94811625 2689 https://rdc.reed.edu/record/218187/files/P_149435.txt 0922f1fb-a3ee-4be3-a334-e0f5fbd62654 86 663583 sbavier Art & Architecture 218454 20260413130320.0 cc825d8b-42da-4ff2-88c8-fd9a1229fcac DA Occupations in Which 10,000 or More American Negroes Are Engaged Occupations et industries des Nègres Americains. ca. 1899-1900 [creation date] 1899 1900 22 x 28 inches watercolor and ink Done by Atlanta University Plate 43 : Three towering bars stack information on the occupations of black Georgians according to the worker’s gender. This diagram translates both the heading and the key into the French text that cascades vertically down each bar. The varying sizes, alignments, and positions of the typography continue to imply the work of multiple hands. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Images courtesy Library of Congress 149858.tif Color charts Graphs African Americans Humanities 110 King, Nathalia American Twentieth Century Nineteenth Century 20th Century CE 19th Century CE Charts Charts, Graphs and Diagrams Du Bois, W. E. B. [American sociologist, author, writer and editor, 1868-1963] Du Bois, W. E. B. W.E.B. Du Bois's data portraits : visualizing Black America : the color line at the turn of the twentieth century. Princeton AP, 2018. Pl. 43, Sourced From Library of Congress, Washington, District of Columbia, United States [repository] https://rdc.reed.edu/record/218454/files/P_149858.tif preservation ecbceadc-5a6f-4c11-a1e8-910bd09cb6d2 60070136 https://rdc.reed.edu/record/218454/files/P_149858.hocr 3608fbdf-e410-48db-b596-6a978d890c4b 9694 https://rdc.reed.edu/record/218454/files/P_149858.txt a4c61bc4-d3f9-4a0d-8481-3db6f274ca6b 490 664366 sbavier Art & Architecture 218189 20260413125636.0 5191e9b3-1803-4710-a7a3-c0251ae3157e DA Conjugal Condition of American Negroes According to Age Periods ca. 1890-1900 [creation date] 1890 1900 ca. 22 x 28 inches ink and watercolor on board Plate 53 : This complex grid, area chart, and bar chart is a vibrating combination of color and shape. Split down the middle into "males" and "females," each half of the nearly symmetrical chart is further broken down by color-coded grids: a green zone for widows and widowers, a red zone for married couples, and a blue zone for single people - the data set is closely related to plate 10. The typography is laid out with a tight structure around the outside of the colored matrix. However, inside the grid, type is set at dynamic angles in a manner that would later become a hallmark of 1920s Russian constructivism and the 1960s conceptual text-based art of Lawrence Weiner. Here, similar to Weiner's body of work, a distinct rigid typographic treatment is used as an image to reinforce a repeated conceptual motif. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © 2015 The W. E. B. Du Bois Center 149437.tif Harlem Renaissance Charts [graphic documents] African Americans Humanities 110 King, Nathalia American Nineteenth Century 19th Century CE Charts, Graphs and Diagrams Du Bois, W. E. B. [American sociologist, author, writer and editor, 1868-1963] Du Bois, W. E. B. W.E.B. Du Bois's data portraits : visualizing Black America : the color line at the turn of the twentieth century. Princeton AP, 2018. Sourced From Library of Congress, Washington, District of Columbia, United States [repository] https://rdc.reed.edu/record/218189/files/P_149437.tif preservation bcd77cd8-ace4-43db-9ac9-ebc7c4b8b9c7 61270792 https://rdc.reed.edu/record/218189/files/P_149437.hocr 52287624-7097-41e6-9457-e7719e900647 13867 https://rdc.reed.edu/record/218189/files/P_149437.txt 9d4bc9e8-657e-4bcd-8bce-2893e7eb91cd 441 663585 sbavier Art & Architecture 218190 20260413125636.0 13e69574-d1f2-43b5-af4a-fd0dfcf6bffd DA Negro Business Men in the United States ca. 1890-1900 [creation date] 1890 1900 ca. 22 x 28 inches ink and watercolor on board Plate 57 : A jumble of squares defies viewer expectations in a chart depicting the relative number of black men in a range of occupations. Though not arranged alphabetically or by descending density, the unusual spatial configuration uses surface area and dynamic color to reflect imbalances in the representation of men in various fields. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. © 2015 The W. E. B. Du Bois Center 149438.tif Harlem Renaissance Charts [graphic documents] African Americans Humanities 110 King, Nathalia American Nineteenth Century 19th Century CE Charts, Graphs and Diagrams Du Bois, W. E. B. [American sociologist, author, writer and editor, 1868-1963] Du Bois, W. E. B. W.E.B. Du Bois's data portraits : visualizing Black America : the color line at the turn of the twentieth century. Princeton AP, 2018. Sourced From Library of Congress, Washington, District of Columbia, United States [repository] https://rdc.reed.edu/record/218190/files/P_149438.tif preservation 79bda436-c093-4416-a9d2-ee5a952f6a3e 60024824 https://rdc.reed.edu/record/218190/files/P_149438.hocr a1b14070-56b6-4bba-aefd-f45ee3cf2c91 9493 https://rdc.reed.edu/record/218190/files/P_149438.txt e177dec7-e2fb-4cef-a58c-44493c99554a 488 663586 sbavier Art & Architecture 218430 20260413130320.0 da53e5e7-1632-4f23-879a-a1607c726eb8 DA The Georgia Negro - A Social Study by W.E. Burghardt Du Bois ca. 1899-1900 [creation date] 1899 1900 22 x 28 inches watercolor and ink This case is devoted to a series of charts, maps and other devices designed to illustrate the development of the American Negro in a single typical state of the United States. 'The Problem of the 20th Century is the problem of the color-line." Plate 1. W.E.B. Du Bois and his students open the visualizations with a striking map that captures the sweeping nature of their study. Two circles connected by fine lines connect dark areas of Africa to equally dark swaths in the United States, the Caribbean, and South America. A solitary white star represents Georgia in a wave of black ink. Though absent in the key, the gray zones suggest the migration of slaves beyond the most trafficked regions. Here and in many of the subsequent plates, the diagram is larger in scale than the text, while the written rhetoric matches the heaviness of its subject matter. This complex combination of text and image allows Du Bois to visually represent hundreds of years and thousands of miles of oppression. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Images courtesy Library of Congress 149443.tif Color charts Graphs Harlem Renaissance African Americans Humanities 110 King, Nathalia American Twentieth Century Nineteenth Century 19th Century CE 20th Century CE Charts Charts, Graphs and Diagrams Du Bois, W. E. B. [American sociologist, author, writer and editor, 1868-1963] Du Bois, W. E. B. W.E.B. Du Bois's data portraits : visualizing Black America : the color line at the turn of the twentieth century. Princeton AP, 2018. Pl. 1, Sourced From Library of Congress, Washington, District of Columbia, United States [repository] https://rdc.reed.edu/record/218430/files/P_149443.tif preservation cd21d168-05f5-4455-bc08-fe8bb558bf50 58990004 https://rdc.reed.edu/record/218430/files/P_149443.hocr 4cbc7a9d-9074-43a8-a922-b2dda7e3a9a8 10655 https://rdc.reed.edu/record/218430/files/P_149443.txt 6127fdae-0aa5-499f-a286-f762e764721c 409 664342 sbavier Art & Architecture 218431 20260413130320.0 0ca30be6-1cf7-4fe2-a98d-77b32b64708a DA Relative Negro Population of the States of the United States ca. 1899-1900 [creation date] 1899 1900 22 x 28 inches watercolor and ink Plate 2 : Du Bois and his team are masters of progressive disclosure, a technique that gradually reveals to the viewer the ideal amount of information in each data portrait. 9 Moving from a global scale to a national one, this map of the United States contributes more detail to the previous plate’s mapping of the Black Atlantic world (see plate 1). A palette of bright primary colors, complementing subtle shades, and intricate textures conveys a range of black populations at a quick glance. An even more precise breakdown of population continues at the state and county levels in the subsequent charts (plates 3– 6). Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Images courtesy Library of Congress 149444.tif Color charts Graphs Harlem Renaissance African Americans Humanities 110 King, Nathalia American Nineteenth Century Twentieth Century 19th Century CE 20th Century CE Charts Charts, Graphs and Diagrams Du Bois, W. E. B. [American sociologist, author, writer and editor, 1868-1963] Du Bois, W. E. B. W.E.B. Du Bois's data portraits : visualizing Black America : the color line at the turn of the twentieth century. Princeton AP, 2018. Pl. 2, Sourced From Library of Congress, Washington, District of Columbia, United States [repository] https://rdc.reed.edu/record/218431/files/P_149444.tif preservation d0d1a454-4384-42f0-a965-241be948236a 60039952 https://rdc.reed.edu/record/218431/files/P_149444.hocr 73d0dcdb-f7ae-49f7-8e47-f53ba7c2b6f0 4844 https://rdc.reed.edu/record/218431/files/P_149444.txt fb48b0cc-92c0-4141-996b-369ed3e9c18f 255 664343 sbavier Art & Architecture 218432 20260413130320.0 7654a93f-c709-4e0d-a5ab-a80cb439ff73 DA Negro Population of Georgia by Counties, 1890 ca. 1899-1900 [creation date] 1899 1900 22 x 28 inches watercolor and ink Plate 5. Many of the diagrams are sequenced strategically to build comparisons and new perspectives on the study’s datasets by considering relationships over time as well as space. This population index of Georgia by Counties, 1890 precedes the following map (plate 6), which shows the populations in 1870 and 1880. The vibrancy and opacity of the colors suggest the use of gouache, a subtype of watercolor that lies down with an opaque finish and bonds with its paper background. This material would later be critical to the flat and graphic visual language taught by the so-called Swiss schools in 1950s and 1960s Europe and spread throughout American graphic design education, especially via Armin Hoffman and his former students from the Basel School of Design. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Images courtesy Library of Congress 149445.tif Color charts Graphs Harlem Renaissance African Americans Humanities 110 King, Nathalia American Twentieth Century Nineteenth Century 19th Century CE 20th Century CE Charts Charts, Graphs and Diagrams Du Bois, W. E. B. [American sociologist, author, writer and editor, 1868-1963] Du Bois, W. E. B. W.E.B. Du Bois's data portraits : visualizing Black America : the color line at the turn of the twentieth century. Princeton AP, 2018. Pl. 5, Sourced From Library of Congress, Washington, District of Columbia, United States [repository] https://rdc.reed.edu/record/218432/files/P_149445.tif preservation a352513c-6751-4efd-a77c-63f984dfaa58 60415340 https://rdc.reed.edu/record/218432/files/P_149445.hocr a0909ca6-11c1-4395-b752-58e7d3db5e7f 4811 https://rdc.reed.edu/record/218432/files/P_149445.txt 63fba7a3-abd5-43bb-a198-2226bbd623d2 188 664344 sbavier Art & Architecture 218433 20260413130320.0 ff10ab28-84f5-4811-92d7-bfbaa7feca31 DA Negro Population of Georgia by Counties ca. 1899-1900 [creation date] 1899 1900 22 x 28 inches watercolor and ink Plate 6 : The pair of state maps rendered here are an early example of a type of diagram taken for granted today: the heat map. Heat maps use color to allow a user to quickly identify highly active, dense, or concentrated parts of a space. First coined and trademarked in 1993 by Cormac Kinney, an enterprising software engineer, the heat map was a tool that used concentrations of color to represent wild swings in stock and mutual fund trading activity. 11 Here, instead of marking the flow of funds, Du Bois maps the density of black Georgians across the state’s counties. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Images courtesy Library of Congress 149446.tif Color charts Graphs Harlem Renaissance African Americans Humanities 110 King, Nathalia American Twentieth Century Nineteenth Century 20th Century CE 19th Century CE Charts Charts, Graphs and Diagrams Du Bois, W. E. B. [American sociologist, author, writer and editor, 1868-1963] Du Bois, W. E. B. W.E.B. Du Bois's data portraits : visualizing Black America : the color line at the turn of the twentieth century. Princeton AP, 2018. Pl. 6, Sourced From Library of Congress, Washington, District of Columbia, United States [repository] https://rdc.reed.edu/record/218433/files/P_149446.tif preservation 3b0e6582-9b94-4f7f-8fa9-88cf75b15033 59771240 https://rdc.reed.edu/record/218433/files/P_149446.hocr ce42e7cd-b7f4-4a66-8b38-7aeafdcef346 4528 https://rdc.reed.edu/record/218433/files/P_149446.txt 0f1406f6-b647-484e-a508-d7aaf3f0f597 169 664345 sbavier Art & Architecture 218434 20260413130320.0 07cada08-b9a8-4326-bb25-bd70e6d9a90b DA Age Distribution of Georgia Negroes Compared with France ca. 1899-1900 [creation date] 1899 1900 22 x 28 inches watercolor and ink Plate 9 : In this chart, Du Bois and his team choose to render data that could connect with an international audience. This straightforward yellow and black bar graph compares the ages of black Americans with their French equivalents of all races. Of particular note are the unique percentage signs that visually outweigh their numerical companions. These glyphs were likely improvised because standard alphabetic characters are not included in the engineered letter template that is the source of most of the typography in the Georgia study. 13 Age ranges are linked to the bar charts with delicate and precise curving braces. The placement of Europeans and Georgia Negroes side by side using comparative data demonstrates the global status and robustness of the African American population. Images in this collection are provided for members of the Reed academic community, for use in teaching, study, and research. Reed College students, faculty, and staff may use images for in-class display, as well as academic presentations, papers, assignments, and senior theses. Cite the source of the image as Reed College Digital Collections and when available also add the statement Courtesy of [individual/organization listed as Copyright Holder] or Public domain image. Unless an image's Copyright Holder is public domain, uses other than those described above - such as inclusion in a published or commercial work or a non-Reed-password-protected website - may require permission from the copyright holder. Images courtesy Library of Congress 149447.tif Color charts Graphs Harlem Renaissance African Americans Humanities 110 King, Nathalia American Twentieth Century Nineteenth Century 20th Century CE 19th Century CE Charts Charts, Graphs and Diagrams Du Bois, W. E. B. [American sociologist, author, writer and editor, 1868-1963] Du Bois, W. E. B. W.E.B. Du Bois's data portraits : visualizing Black America : the color line at the turn of the twentieth century. Princeton AP, 2018. Pl. 9, Sourced From Library of Congress, Washington, District of Columbia, United States [repository] https://rdc.reed.edu/record/218434/files/P_149447.tif preservation 3041f289-3d18-4d32-9020-f95db6ac83a3 59799688 https://rdc.reed.edu/record/218434/files/P_149447.hocr 49735ce1-bd09-4d6b-907d-fda972c03f36 7042 https://rdc.reed.edu/record/218434/files/P_149447.txt dfea0854-a14c-4e36-9ad8-85ca6cb47039 224 664346 sbavier Art & Architecture